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The novel cha-cha-chá style was born from melodies that were very easy to dance. [2]: 130–132 Since its inception, cha-cha-chá music has had a close relationship with the dancer's steps. The name cha-cha-chá came into being with the help of the dancers at the Silver Star Club in Havana. When the dance was coupled to the rhythm of the music ...
Cuba. The cha-cha-cha (also called cha-cha) is a dance of Cuban origin. [1][2] It is danced to cha-cha-cha music introduced by the Cuban composer and violinist Enrique Jorrin in the early 1950s. This rhythm was developed from the danzón-mambo. The name of the dance is an onomatopoeia derived from the shuffling sound of the dancers' feet when ...
The cha-cha-cha, or simply cha-cha, is the name of a dance of Cuban origin. [7] [8] It is danced to the music of the same name introduced by Cuban composer and violinist Enrique Jorrín in 1953. This rhythm was developed from the danzón by a syncopation of the fourth beat.
Songwriter (s) Tito Puente. " Oye Cómo Va " is a 1962 cha-cha-chá song by Tito Puente, originally released on El Rey Bravo (Tico Records). The song achieved worldwide popularity when it was covered by American rock group Santana for their album Abraxas. This version was released as a single in 1971, reaching number 13 on the Billboard Hot 100 ...
La engañadora. " La engañadora " (translated in the US as " Anything Can Happen When You're in Havana ", [1] " The Gay Deceiver " [2] or simply " The Deceiver " [3]) is a song written by violinist Enrique Jorrín and first recorded by Orquesta América in March 1953. Shortly after its release it became Panart 's biggest-selling single.
Enrique Jorrín. Enrique Jorrín in the 1950s. Enrique Jorrín (December 25, 1926 – December 12, 1987) was a Cuban charanga violinist, composer and music director. He is considered the inventor of the cha-cha-chá, a popular style of ballroom music derived from danzón. [1]
The Cha Cha Cha and the Mambo [also released as The Charm of the Cha Cha Cha] (GNP-14, 1955) From Broadway to Havana (GNP-22, 1957) Cha Cha Cha for Lovers (GNP-29, 1957) Mr. Cha Cha Cha (GNP-36, 1958) René Touzet and His Orchestra Play for Dancing at the Crescendo on the World Famous Sunset Strip (GNP-40, 1959) Touzet Too Much! (GNP-49, 1960)
Chanchullo is a rewarding mix of Cuban styles, from son montuno to danzón, cha-cha-cha and descarga." [6] AllMusic reviewer Stacia Proefrock commented: "González is an extremely fluid player and his sometimes complex improvisations seem to constantly come off without a hitch, which is amazing considering that he is in his eighties. The songs ...