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Lawrence Alma-Tadema, Tibullus at Delia's. Albius Tibullus (c. 55 BC – c. 19 BC) was a Latin poet and writer of elegies. His first and second books of poetry are extant; many other texts attributed to him are of questionable origins. Little is known about the life of Tibullus.
Like most of the 20 poems in the 3rd book of Tibullus, its date and authorship are disputed, with scholars disagreeing whether it was written by Tibullus or another member of Messalla's circle around 31 BC, or whether (as many scholars think) it is a piece of pseudepigrapha written by an anonymous author many years later.
The elegiac couplet is presumed to be the oldest Greek form of epodic poetry (a form where a later verse is sung in response or comment to a previous one). Scholars, who even in the past did not know who created it, [3] theorize the form was originally used in Ionian dirges, with the name "elegy" derived from the Greek ε, λεγε ε, λεγε—"Woe, cry woe, cry!"
Tibullus book 1 is the first of two books of poems by the Roman poet Tibullus (c. 56–c.19 BC). It contains ten poems written in Latin elegiac couplets, and is thought to have been published about 27 or 26 BC.
The Garland of Sulpicia, [1] also sometimes known as the Sulpicia cycle [2] or the Sulpicia-Cerinthus cycle, is a group of five Latin love poems written in elegiac couplets and included in volume 3 of the collected works of Tibullus (Tibullus 3.8–3.12 = Tibullus 4.2–4.6).
Sulpicia's surviving work consists of six short elegiac poems (3.13–18), which have been preserved as part of a collection of poetry, book 3 of the Corpus Tibullianum, initially attributed to Tibullus. The poems are addressed to Cerinthus. [2] Cerinthus was most likely a pseudonym, in the style of the day (like Catullus's Lesbia and ...
Detailed metrical studies have shown that the Lygdamus poems were clearly written by a different poet than those of Tibullus. One of the more obvious differences is that in Lygdamus the caesura of the hexameter is almost always a masculine caesura in the 3rd foot, whereas in Tibullus it varies between the 3rd foot and the 4th. [33]
Other examples are Tibullus 1.7, poems 3.11 and 3.12 in the Garland of Sulpicia and 3.14 and 3.15 in Sulpicia's poems in book 3 of the Tibullan collection. On the identity of Cornutus, see above. The poem as a whole is a ring composition, beginning and ending with the birthday god Natalis and the words venit, veniat 'he comes, may it come'.