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Bohuslav Martinů's Double Concerto for Two String Orchestras, Piano, and Timpani (H. 271) was written in Switzerland in 1938 during deteriorating diplomatic relationships throughout Europe. Commissioned by Paul Sacher for the Basel Chamber Orchestra, it reflects intense impressions, from both the composer's personal life and the political ...
Concerto for Timpani, Roto-toms and Orchestra op.7 (2003) Concerto Nr.2 “Pavilions” op. 20, for extended timpani, orchestra and mp3 (2019) Lee Actor. Concerto for Timpani and Orchestra (2005) Jeff Tyzik. Concerto for Timpani (2009) John Psathas. Planet Damnation for timpani and orchestra (2012) Kalevi Aho. Concerto for Timpani and Orchestra ...
A percussion section with pitched percussion (tubular bells, background), auxiliary percussion (crash cymbals, suspended cymbal, snare drum and bass drum) and timpani (foreground) in use. The percussion section is one of the main divisions of the orchestra and the concert band. It includes most percussion instruments and all unpitched instruments.
Timpani (/ ˈ t ɪ m p ə n i /; [2] Italian pronunciation:) or kettledrums (also informally called timps) [2] are musical instruments in the percussion family.A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionally made of copper.
Associated Board of the Royal Schools of Music, Trinity College London and London College of Music provide examination for orchestral percussion player. Candidates perform a balanced programme of three pieces, one chosen from mallet percussion song list, one from snare drum song list and one from timpani song list.
The Concerto Fantasy for Two Timpanists and Orchestra is a double timpani concerto written by Philip Glass in 2000. It is paired with the Cello Concerto on Vol. I of Glass' Concerto Project, a set of eight concerti by the composer. A typical performance of the work lasts 25–28 minutes. [1]
Schumann's 1841 Fantasia for piano and orchestra, in form similar to Weber's Konzertstück, was later rewritten and expanded with two further movements into his Piano Concerto Op. 54. [4] When the soloist is a vocalist , the piece rather belongs to the concert aria genre.
The version for strings and timpani was first performed in a broadcast on 1 January 1939 by the Radio Orchestra conducted by the composer, as the only recorded example of the composer interpreting one of his own works. [3] He maintained a slow tempo professionally, with "unforced rubato", [3] creating a solemn, singing string sound.