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The following other wikis use this file: Usage on bs.wikipedia.org Indonesia Raya; Usage on id.wikisource.org Halaman:Brosur Lagu Kebangsaan - Indonesia Raya.pdf/57
Bahasa Indonesia: Gagasan untuk membuat suatu brosur mengenai Sejarah Lagu Kebangsaan kita lndonesia Raya sudah timbul sejak tahun 1966, pada waktu Presiden Republik lndonesia memberi instruksi kepada Menteri Pendidikan Dasar dan Kebudayaan untuk menugaskan Kusbini, salah seorang anggota penyusun brosur ini, untuk mengumpulkan bahan-bahan dokumentasi mengenai lagu kebangsaan INOONESIA RAYA ...
Indonesia Raya is the national anthem of the Republic of Indonesia. The song was introduced by its composer , Wage Rudolf Supratman , on 28 October 1928 during the Second Indonesian Youth Congress in Batavia . [ 7 ]
"Gugur Bunga di Taman Bakti" (The Fallen Flower in the Garden of Devotion), better known as "Gugur Bunga", is an Indonesian patriotic song written by Ismail Marzuki in 1945. Written to honor the Indonesian soldiers killed during the Indonesian National Revolution , it tells of the death of a soldier, and the singer's feelings.
" Indonesia Raya" ('Indonesia the Great') is the national anthem of Indonesia. It has been the national anthem since the Proclamation of Indonesian Independence on 17 August 1945. The song was introduced by its composer , Wage Rudolf Supratman , on 28 October 1928 during the Youth Pledge in Jakarta . [ 1 ]
A golden tree, part of the bunga mas sent by one of the northern Malay states to the Siamese court, collection of Muzium Negara, Kuala Lumpur. The bunga emas dan perak (lit. "golden and silver flowers", Thai: ต้นไม้เงินต้นไม้ทอง RTGS: ton mai ngoen ton mai thong), often abbreviated to bunga mas (Jawi: بوڠا مس "golden flowers"), was a form of ...
The golden rope symbolises unification and unity. The wave depicts Jakarta's location on the coast and also Jakarta as a port city. The pentagon shield symbolises Pancasila. As well as the regional motto Jaya raya which is the slogan of Jakarta's struggle. [1] The symbolism of the colours is as follows: [1]
Illustration from Floral Poetry and the Language of Flowers (1877). According to Jayne Alcock, grounds and gardens supervisor at the Walled Gardens of Cannington, the renewed Victorian era interest in the language of flowers finds its roots in Ottoman Turkey, specifically the court in Constantinople [1] and an obsession it held with tulips during the first half of the 18th century.