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Kyou Shigoku (至極 京, Shigoku Kyou) The main antagonist of the manga and Uruma's archenemy who is the leader of the group of bullies who tormented him in their childhoods. Kyou sets himself apart as completely apathetic, cruel, and psychopathic compared to the other four.
Two original soundtrack albums were released for Jigoku Shōjo.The first album contains twenty-four tracks and was released on January 25, 2006 by Sony Music Entertainment under the catalog number SVWC-7331. [1]
Altair: A Record of Battles (Japanese: 将国のアルタイル, Hepburn: Shōkoku no Arutairu) is a Japanese manga series written and illustrated by Kotono Kato. It tells the story of Tuğril Mahmut, a young military officer and his exploits to protect his country from invasion by a neighboring empire.
Hell Girl is a Japanese anime series produced by Studio Deen in three seasons between 2005 and 2009, with a fourth season airing in 2017. The plot follows a girl named Ai Enma, also known as the Jigoku Shōjo or Hell Girl, and her group of followers as they carry out her duty of striking contracts that involve ferrying hated souls to Hell.
The Hell Courtesan is usually depicted in a dress with the images of hell, [2] the souls of those she condemned, [3] Emma-Ō (one of the kings of hell), [3] [1] horned demons, [1] and bodhissatvas. [1]
Gokusen (ごくせん) is a Japanese manga series written and illustrated by Kozueko Morimoto [].It was serialized in Shueisha's You from 2000 to 2007, with its chapters collected in 15 wideban volumes.
The Koukai, known as the Yellow Sea, is surrounded by four inland seas: the Black Sea in the north, the Blue Sea to the east, the Red Sea in the south, and the White Sea to the west. Eight of the Twelve Kingdoms (Kei, En, Ryu, Kyou, Han, Sai, Sou, and Kou) border at least one of these four seas, extending from the center like the petals of a ...
Riyoko Ikeda (池田 理代子, Ikeda Riyoko, born December 18, 1947) is a Japanese manga artist and singer. She is included in the Year 24 Group by some critics, journalists, and academics, although her inclusion has been debated due to a focus more on epic stories than the internal psychology of those mangaka. [1]