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Media Encoder: 2021 (v 22.6) Creative Cloud Creative Suite Photoshop: 2023 (24.0.0) Standalone package Creative Suite Creative Cloud eLearning Suite Windows, macOS, iOS (iPad only) Portfolio N/A Standalone package Creative Cloud Web Premiere Pro: CC (2021) (v 22.6.2) Standalone package Creative Suite Creative Cloud Windows, macOS Premiere Rush ...
XBMC Media Center and its derivatives, like Boxee and Plex. Blu-code is a professional H.264 encoder provided by Sony, aimed at Blu-ray-compliant HD production. OpenH264 is an open-source H.264 encoder and decoder implementation by Cisco, made available in December 2013.
Prelude was an ingest and logging tool for tagging media with metadata for searching, post-production workflows, and footage lifecycle management. Adobe Prelude was also made to work closely with Premiere Pro. It was announced that it would discontinued on September 8, 2021. Premiere was a former video editing software developed by Adobe ...
Adobe Creative Cloud is a set of applications and services from Adobe that gives subscribers access to a collection of software used for graphic design, video editing, web development, photography, along with a set of mobile applications and also some optional cloud services. In Creative Cloud, a monthly or annual subscription service is ...
Windows Media Encoder (Windows) Zamzar (Web application) ZConvert (Windows) Commercial. Compressor (Mac OS X) MPEG Video Wizard DVD (Windows) ProCoder (Windows)
x264 – H.264/MPEG-4 AVC implementation. x264 is not a codec (encoder/decoder); it is just an encoder (it cannot decode video). OpenH264 – H.264 baseline profile encoding and decoding OpenVVC [ 1 ] an VVC /H.266 Real Time - Decoder for Mac OS , Windows , Linux and Android and special Version of FFmpeg , [ 2 ] which was used for Ateme ...
FMLE is a desktop application that connects to a Flash Media Server (FMS) or a Flash Video Streaming Service (FVSS) via the Real Time Messaging Protocol (RTMP) to stream live video to connected clients.
The quality the codec can achieve is heavily based on the compression format the codec uses. A codec is not a format, and there may be multiple codecs that implement the same compression specification – for example, MPEG-1 codecs typically do not achieve quality/size ratio comparable to codecs that implement the more modern H.264 specification.