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"Raleigh Was Right" is a poem by William Carlos Williams, published in 1940 and composed in response to the Elizabethan exchange between Christopher Marlowe, in "The Passionate Shepherd to His Love", and Walter Raleigh, with "The Nymph's Reply". [1] [2]
A not untypical thematic stress on life's ironies is present, [4] though Hardy himself was insistent that the title phrase was a poetic image only, and not to be taken as a philosophical belief. [5] He also pointed out that behind the "I" of the poems stood not autobiography so much as "dramatic monologues by different characters". [6]
Time's Paces is a poem about the apparent speeding up of time as one gets older. It was written by Henry Twells (1823–1900) and published in his book Hymns and Other Stray Verses (1901). The poem was popularised by Guy Pentreath (1902–1985) in an amended version.
"Nothing Gold Can Stay" by American composer William Thayer Ames, [6] a choral setting of the poem. "Nothing Gold Can Stay" by American composer Cecil William Bentz, [7] a choral setting of the poem in his opus, "Two Short Poems by Robert Frost." "Nothing Gold Can Stay" [8] by American composer Steven Bryant, [9] an instrumental chorale ...
According to Perry, the poem shows that "often the true immensity of love is learned through realising the enormity of its absence", specifically citing the line "I thought that love would last for ever: I was wrong". The final two lines of the poem as published in Another Time read "Pour away the ocean and sweep up the woods./For nothing now ...
Check out these images from An Easter Bloom Take a look at some select images from An Easter Bloom starring Ben Hollingsworth and Aimee Teegarden in the gallery below. View the 24 images of this ...
First published as number 208 in the verse collection Hesperides (1648), the poem extols the notion of carpe diem, a philosophy that recognizes the brevity of life and the need to live for and in the moment. The phrase originates in Horace's Ode 1.11.
“The Second Coming” is a poem written by Irish poet William Butler Yeats in 1919, first printed in The Dial in November 1920 and included in his 1921 collection of verses Michael Robartes and the Dancer. [1] The poem uses Christian imagery regarding the Apocalypse and Second Coming to describe allegorically the atmosphere of post-war Europe ...