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Baroque music (UK: / b ə ˈ r ɒ k / or US: / b ə ˈ r oʊ k /) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. [1] The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition (the galant style).
Baroque music; List of classical music composers by era; List of composers by name; Women in Music; There is considerable overlap near the beginning and end of this era. See lists of composers for the previous and following eras: List of Renaissance composers; List of Classical era composers
The leading figure in British music of the early 18th century was a naturalized Briton, George Frideric Handel (1685–1759). Although he was born in Germany, he first visited England in 1710, later moving there and becoming a naturalised citizen, playing a defining role in the music of the British Isles. [13]
The Baroque (UK: / b ə ˈ r ɒ k / bə-ROK, US: /-ˈ r oʊ k /- ROHK; French:) is a Western style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished from the early 17th century until the 1750s. [1]
The dance suite was a collection of dance music popular in the Baroque era. It consists of the following movements in this order: Allemande. Allemande: Literally translates from French as "German”, but by the time of its canonization in the suite it was thoroughly French, and was archaic as an actual dance by the 17th century.
Opera – Dramatic work in one or more acts, set to music for singers and instrumentalists. Opera buffa – Genre of opera characterized by light, humorous, and often satirical themes. Opera seria – Genre of opera with serious, often tragic themes. Semi-opera – Genre that blends spoken drama with musical interludes and elaborate staging.
An oratorio (Italian pronunciation: [oraˈtɔːrjo]) is a musical composition with dramatic or narrative text for choir, soloists and orchestra or other ensemble. [1]Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters (e.g. soloists), and arias.
Opera seria built upon the conventions of the High Baroque era by developing and exploiting the da capo aria, with its A–B–A form.The first section presented a theme, the second a complementary one, and the third a repeat of the first with ornamentation and elaboration of the music by the singer.