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CY GIRLS (also known as CY Girls or Cy Girls, and as COOL GIRL in Japan) is an action figure series by Takara Tomy and Blue Box Toys under the brand bbi collectible (an official bootleg), featuring an elite unit of female crimefighters, [1] combining the elements of both a doll and an action figure.
"Cool Girl" is a song recorded by Swedish singer-songwriter Tove Lo for her second studio album Lady Wood (2016). Lo co-wrote the song with its producers Jakob Jerlström and Ludvig Söderberg, who are known collectively as The Struts. The track was released for digital download and streaming on 4 August 2016 as the album's lead single.
"Cool" is a mid-tempo love song featuring a synth-pop and new wave production. [9] The song is composed in D major. [10] It is written in common time, it moves at a moderate tempo of 112 beats per minute, and it has a vocal range from the low note of F♯ 3 to the high note of C♯ 5. [10]
How Cool Girls Nail ’90s Minimalism With Ease in 2024. Alexis Bennett Parker. July 19, 2024 at 12:26 PM. How Cool Girls Nail ’90s Minimalism With Ease Gotham
The gang talk about career paths and also what fun activities they can do in their senior year. Shikimori joins Izumi to shop for a jacket. Kamiya joins the girls for presents shopping, and then have an all-girls Christmas Eve karaoke party. Izumi and Shikimori see a Christmas lights event and later exchange presents. 8: April 9, 2021 [28] 978 ...
The Ice Guy and His Cool Female Colleague (Japanese: 氷属性男子とクールな同僚女子, Hepburn: Kōri Zokusei Danshi to Kūru na Dōryō Joshi), also known as The Ice Guy and the Cool Girl, is a Japanese manga series written and illustrated by Miyuki Tonogaya.
And You Thought There Is Never a Girl Online? ( Japanese : ネトゲの嫁は女の子じゃないと思った? , Hepburn : Netoge no Yome wa Onna no Ko Janai to Omotta? , lit. "You Thought Your Online Game Wife Wasn't a Girl?") is a Japanese light novel series, written by Shibai Kineko and illustrated by Hisasi.
"Say Yes to Heaven" (also known as "Yes to Heaven") is a song by the American singer-songwriter Lana Del Rey. She wrote the track with its producer Rick Nowels in 2012 for her third studio album, Ultraviolence (2014), and reproduced it for Honeymoon (2015) and Lust for Life (2017), but was ultimately cut from all three albums.