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Bleu horses installation as seen from Highway 287. The sculptures are realistic enough to appear live from a distance, but are intended to be somewhat "impressionistic." To emphasize the elegance of the horse, the legs of the horse sculptures are one-third longer than those of real horses, [7] and they average 8 feet (2.4 m) high at the withers. [6]
Two Piece Sculpture No.10: Interlocking [469] 1968 Bronze L 91 LH 581 Image online [470] Two Piece Carving: Interlocking [471] 1968 White marble L 71.1 LH 583 Image online [472] Interlocking Two Piece Sculpture [473] 1970 White marble L 315 Roche, Basel LH 584 Image online [474] Maquette for Three Piece No.3: Vertebrae: 1968 Bronze L 19 LH 578
Nadia Chomyn (24 October 1967 – 28 October 2015) was a British autistic artist who was born in Nottingham.Considered severely handicapped both intellectually and motorically, she is best known for her realistic drawings as a child prodigy, depicting mainly horses and roosters.
Franz Marc and others including Susan Rothenberg and Deborah Butterfield beginning in the 1970s used horses as motifs in their paintings and sculpture throughout the 20th century. For a large and complex 20th-century war painting in which a horse is the central dramatic figure, see Guernica by Pablo Picasso .
Leonardo da Vinci's study in silverpoint for The Horse, c. 1488 [1] Study in silverpoint for the monument (abandoned design), c. 1490 [2]. Leonardo's Horse (also known as the Sforza Horse or the Gran Cavallo ("Great Horse") ) is a project for a bronze sculpture that was commissioned from Leonardo da Vinci in 1482 by the Duke of Milan Ludovico il Moro, but never completed.
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Gosney's work is often inspired by classical and Renaissance art and themes drawn from ancient and modern mythologies. The human form and the horse dominate his subject matter and can be seen in many of his intriguing and remarkable sculptures and the beautifully executed drawings which he makes when first planning commissions.
The position of the horses' legs in the painting – with both front and hind legs extended outwards while airborne – is never actually exhibited by a galloping horse. This was conclusively demonstrated by Eadweard Muybridge in 1878, with high-speed photography showing that galloping horses are airborne when their legs are beneath the body ...