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La traviata is the only one of Verdi's many operas to be set entirely indoors. Unlike Il trovatore, which was composed simultaneously, La traviata is an intimate piece, full of tender lyricism. The character of Violetta dominates the work and her music changes as she develops through the drama, from the hectic, almost hysterical coloratura of ...
Libiamo ne' lieti calici" (Italian pronunciation: [liˈbjaːmo ne ˈljɛːti ˈkaːlitʃi]; "Let's drink from the joyful cups") is a famous duet with chorus from Giuseppe Verdi's La traviata (1853), one of the best-known opera melodies and a popular performance choice (as is this opera itself) for many great tenors and sopranos.
La Traviata is a 1982 Italian film written, designed, and directed by Franco Zeffirelli. It is based on the 1853 opera La traviata with music by Giuseppe Verdi and libretto by Francesco Maria Piave. Soprano Teresa Stratas, tenor Plácido Domingo, and baritone Cornell MacNeil starred in the movie, in addition to singing their roles. The film ...
The following is a partial discography of the many audio [1] and video [2] recordings of Giuseppe Verdi's opera, La traviata.Based on the 1848 novel La dame aux Camélias by Alexandre Dumas, fils, La traviata has been a staple of the operatic repertoire since its premiere on 6 March 1853 at the Teatro La Fenice in Venice.
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Un dì, felice, eterea" ("One day, happy, ethereal") is a duet from the first act of Giuseppe Verdi's 1853 opera La traviata. It is sung by the male and female protagonists of the opera, Alfredo (a tenor) and Violetta (a soprano). The main melody of the duet, which is very famous in its own right, is also an important musical theme throughout ...
Luisa is determined to take her own life (La tomba è un letto sparso di fiori / "The grave is a bed strewn with flowers"), but Miller manages to persuade her to stay with him. (Duet: La figlia, vedi, pentita / "Your child, see, repentant"). Alone now, Luisa continues praying. Rodolfo slips in and unseen pours poison into the water jug on the ...
Lodovico Graziani (14 November 1820 – 15 May 1885) was an Italian operatic tenor. [1] According to John Warrack and Ewan West, writing in The Oxford Dictionary of Opera: "His voice was clear and vibrant, but he lacked dramatic gifts."