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Epipremnum aureum, the Pearls and Jade pothos, is a species in the arum family Araceae, native to Mo'orea in the Society Islands of French Polynesia. [1] The species is a popular houseplant in temperate regions but has also become naturalised in tropical and sub-tropical forests worldwide, including northern South Africa, [2] Australia, Southeast Asia, Indian subcontinent, the Pacific Islands ...
Pothos is a genus of flowering plants in the family Araceae (tribe Potheae). It is native to China , the Indian Subcontinent , Australia , New Guinea , Southeast Asia , and various islands of the Pacific and Indian Oceans .
Plants can grow to over 40 m (131 ft) with leaves up to 3 m (10 ft) long, but in containers the size is much reduced. The plants, commonly known as centipede tongavine, pothos or devil's ivy, depending on species, are typically grown as houseplants in temperate regions. Juvenile leaves are bright green, often with irregularly variegated ...
Mutation breeding, sometimes referred to as "variation breeding", is the process of exposing seeds to chemicals, radiation, or enzymes [1] [2] in order to generate mutants with desirable traits to be bred with other cultivars.
Pothos may refer to: Pothos (mythology), a character in Greek mythology; Pothos, a genus of plants Epipremnum aureum, a plant often grown indoors (formerly ...
Actress Jan Hooks voiced Manjula in the episode. "Eight Misbehavin' " was written by Matt Selman and directed by Steven Dean Moore as part of the eleventh season of The Simpsons (1999–2000). [1] Guest starring in the episode were Jan Hooks (as Manjula), Garry Marshall (as Larry Kidkill), and Butch Patrick (as himself).
Apu decides to shower Manjula with many romantic surprises to regain her love. However, although many of Apu's surprises succeed in fixing his marriage, they ruin other people's relationships. The rest of Springfield's women become jealous from all the attention Manjula is receiving, and find their men to be cheapskates (including Maude Flanders).
Backstage reviewed a production of the play, describing it as "... a fascinating, funny, and frightening glimpse of what happens when we commodify human beings." [6] India Today wrote in 1998 "Savage, swiftian and with humour so black that what little laughter it provokes is painful, Manjula Padmanabhan's award-winning play is really an allegory about relationships."