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Décollage is an art style that is the opposite of collage; instead of an image being built up of all or parts of existing images, it is created by ripping and tearing away or otherwise removing pieces of an original image. [1] The French word "décollage" translates into English literally as "take-off" or "to become unglued" or "to become ...
The Ultra-Lettrist movement was an art form developed by Dufrene along with Jean-Louis Brau and Gil J Wolman in the 1950s, when they split from Isidore Isou's Lettrism. Dufrene explored vocal possibilities of concrete music , a form of expression based on spontaneity directly recorded to tape, exploiting the noise music of sound, meaning and ...
Kurt Schwitters, Das Undbild, 1919, Staatsgalerie Stuttgart. Collage (/ k ə ˈ l ɑː ʒ /, from the French: coller, "to glue" or "to stick together"; [1]) is a technique of art creation, primarily used in the visual arts, but in music too, by which art results from an assemblage of different forms, thus creating a new whole.
An art movement is a tendency or style in art with a specific art philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years.
Mimmo Rotella with the art critic Pierre Restany and Filippo Panseca. Domenico "Mimmo" Rotella (Catanzaro, 7 October 1918 – Milan, 8 January 2006) was an Italian artist considered an important figure in post-war European art. Best known for his works of décollage and psychogeographics, made from torn advertising
A text created from lines of a newspaper tourism article. The cut-up technique (or découpé in French) is an aleatory narrative technique in which a written text is cut up and rearranged to create a new text.
See Art periods for a chronological list. This is a list of art movements in alphabetical order. These terms, helpful for curricula or anthologies, evolved over time to group artists who are often loosely related. Some of these movements were defined by the members themselves, while other terms emerged decades or centuries after the periods in ...
Kanae Yamamoto's "Fisherman" (1904). Sōsaku-hanga (創作版画, "creative prints") was an art movement of woodblock printing which was conceived in early 20th-century Japan. . It stressed the artist as the sole creator motivated by a desire for self-expression, and advocated principles of art that is "self-drawn" (自画 jiga), "self-carved" (自刻 jikoku) and "self-printed" (自摺 jizur