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Mott cells with Russell bodies (red arrows), compared to an almost normal plasma cell (white arrow; it has a prominent nucleolus). Plasmacytoma with abundant Russell bodies. H&E stain. Dutcher and Russell bodies. H&E stain. Russell bodies are inclusion bodies usually found in atypical plasma cells that become known as Mott cells. [1]
Description: Aspects of twentieth century painting : [catalogue of an exhibition] lent by the Solomon R. Guggenheim Museum, New York, shown at the Worcester Art Museum, February 7 through April 7, 1963
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Russell was born into a wealthy engineering family in 1858 in Sydney, New South Wales. The family business, P.N. Russell & Co, was responsible for much of the city's 19th-century ironwork. [1] Although Russell had a strong interest in art from an early age, he met his parents' expectations and trained in the 1870s to become an engineer. [2]
It is an example of Dutch Golden Age painting and is now in the collection of the National Museum of Women in the Arts, in Washington, D.C.. Ruysch has been recorded as making pendant paintings, with one painting of flowers (called a "bloemstuk") and another of fruit ("fruitstuk"), often on a forest floor. A pendant to this painting is unknown.
Oil on canvas. 116.8 x 91.4 cm. Crystal Bridges Museum of American Art Kindred Spirits (1849) is a painting by Asher Brown Durand , a member of the Hudson River School of painters. It depicts the painter Thomas Cole , who had died in 1848, and his friend, the poet William Cullen Bryant , in the Catskill Mountains .
Hondecoeter's paintings featured geese (brent goose, Egyptian goose and red-breasted goose), fieldfares, partridges, pigeons, ducks, northern cardinal, magpies and peacocks, but also African grey crowned cranes, Asian sarus cranes, Indonesian yellow-crested cockatoos, an Indonesian purple-naped lory and grey-headed lovebirds from Madagascar.
Two Nudes in an Exotic Landscape is an oil painting on canvas with dimensions 116 x 88.8 cm (45 3/8 by 35 in), signed Metzinger (lower right). The work—consistent in style with other works by Metzinger created circa 1905–1906, such as Femme au Chapeau (Woman with a Hat) —represents two nude women, one seen from the rear and the other from ...