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Mott cells with Russell bodies (red arrows), compared to an almost normal plasma cell (white arrow; it has a prominent nucleolus). Plasmacytoma with abundant Russell bodies. H&E stain. Dutcher and Russell bodies. H&E stain. Russell bodies are inclusion bodies usually found in atypical plasma cells that become known as Mott cells. [1]
It is an example of Dutch Golden Age painting and is now in the collection of the National Museum of Women in the Arts, in Washington, D.C.. Ruysch has been recorded as making pendant paintings, with one painting of flowers (called a "bloemstuk") and another of fruit ("fruitstuk"), often on a forest floor. A pendant to this painting is unknown.
The ground of the painting was then removed by solvents or scraping, until nothing remained but a thin skin of colour, pasted over with paper and held together by the muslin. A prepared canvas was then attached to the back of the paint layer, using the same method as was used for lining pictures. When the glue had dried, the paper and muslin ...
Description: Aspects of twentieth century painting : [catalogue of an exhibition] lent by the Solomon R. Guggenheim Museum, New York, shown at the Worcester Art Museum, February 7 through April 7, 1963
Blue Nude was one of the paintings that would later create an international sensation at the Armory Show of 1913 in New York City. [ 2 ] The painting, which may be classified as Fauvist , was controversial; it was burned in effigy in 1913 at the Armory Show in Chicago, to where it had toured from New York.
Russell was born into a wealthy engineering family in 1858 in Sydney, New South Wales. The family business, P.N. Russell & Co, was responsible for much of the city's 19th-century ironwork. [1] Although Russell had a strong interest in art from an early age, he met his parents' expectations and trained in the 1870s to become an engineer. [2]
Malevich intended the painting to evoke a feeling of floating, with the colour white symbolising infinity, and the slight tilt of the square suggesting movement. A critic from the rival Constructivist movement quipped that it was the only good canvas in an exhibition by Malevich's UNOVIS group: "an absolutely pure, white canvas with a very good ...
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.