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An important distinction that made color field painting different from abstract expression was the paint handling. The most basic fundamental defining technique of painting is application of paint and the color field painters revolutionized the way paint could be effectively applied. Color field painting sought to rid art of superfluous rhetoric.
While motor or crank-driven moving sculptures may have initially prompted it, the word "mobile" later came to refer more specifically to Calder's free-moving creations. Calder in many respects invented an art form where objects (typically brightly coloured, abstract shapes fashioned from sheet metal) are connected by wire much like a balance scale.
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.
Colourist painting is a style of painting characterised by the use of intense colour, which becomes the dominant feature of the resultant work of art, more important than its other qualities. It has been associated with a number of artists and art movements throughout the 20th century.
Jackie Saccoccio (December 16, 1963 – December 4, 2020) was an American abstract painter. Her works, considered examples of gestural abstraction, featured bright color, large canvases, and deliberately introduced randomness.
The Washington Color School, also known as the Washington, D.C., Color School, [1] was an art movement starting during the 1950s–1970s in Washington, D.C., in the United States, built of abstract expressionist artists. The movement emerged during a time when society, the arts, and people were changing quickly.