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Dragon Ball Z: Dokkan Battle (Japanese: ドラゴンボールZ ドッカンバトル) is a free-to-play mobile game based on the Dragon Ball anime franchise. Developed by Akatsuki and published by Bandai Namco Entertainment, it was released in Japan for Android on January 30, 2015 and for iOS on February 18, 2015. [1]
Dragon Ball Z: Dokkan Battle is a free-to-play mobile game based on the Dragon Ball anime franchise. Developed by Akatsuki and published by Bandai Namco Entertainment, it was released in Japan for Android on January 30, 2015 and for iOS on February 19, 2015.
Game modes include Single Missions, Multi Missions, and Team Battles. Single Mission. In this mode, it is possible to fight as either the Z Fighters or their antagonists. 60 missions are featured, ordered in Saiyan Saga (Z Fighters route and Saiyan route), Frieza Saga (Z Fighters route and Planet Trade Organization route), Cell Saga (Z Fighters route and Androids route), Majin Buu Saga (Z ...
The game was announced in January 2019 via a trailer during Dragon Ball FighterZ World Tour Finals under the working title Dragon Ball Game: Project Z.Described as an action role-playing game, the game was said to be in development by CyberConnect2, known for their work on Asura's Wrath and Naruto Ultimate Ninja series, for PlayStation 4, Xbox One, and PC through Steam.
Dragon Ball Z: Idainaru Son Goku Densetsu [a] is a 1994 fighting video game developed by BEC and published by Bandai for the PC Engine Super CD-ROM² add-on. [1] Based upon Akira Toriyama's Dragon Ball franchise, it is a retelling of Goku's seven major battles over the course of the series up to the conclusion of the Cell Games saga.
Kenji Yamamoto (山本 健司, Yamamoto Kenji, born July 1, 1958) is a Japanese composer and arranger who has been responsible for producing and composing soundtracks, including opening and ending sequence themes for various anime, tokusatsu and video game projects in the 1980s, 1990s, and 2000s, mostly related to the Dragon Ball franchise.
Super Saiyan Goku using the Kamehameha wave against Hirudegarn in Budokai Tenkaichi 3. The games use a "behind-the-back" third-person camera perspective. Similar to the Super Famicom-released Dragon Ball Z: Legendary Super Warriors (2002), special forms are treated as their own character, with varying stats, movesets, and fighting styles.
Dragon Ball Z: Budokai received "mixed or average" reviews on both platforms according to the review aggregation website Metacritic. [7] [8] Entertainment Weekly gave the PlayStation 2 version a C and said that its characters, "while lacking artistic detail, still yell, grunt, and move almost exactly like their broadcast counterparts." [23]