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Title Year produced Year colorized Distributor and color conversion company Babes in Arms: 1939: 1993: Turner Entertainment [43] [44]: Babes in Toyland: 1934: 1991: American Film Technologies
Since the premiere of NBC Saturday Night at the Movies in September 1961, post-1948 major studio feature films gained a dominant foothold in primetime American TV and, by the mid-1960s, feature films were being broadcast by all three networks in prime time on a nearly-daily basis. Although many of those films were in black-and-white, the ones ...
Since the late 1960s, few mainstream films have been shot in black-and-white. The reasons are frequently commercial, as it is difficult to sell a film for television broadcasting if the film is not in color. 1961 was the last year in which the majority of Hollywood films were released in black and white.
Alice in Wonderland (1931) is an independently made black-and-white Pre-Code American film based on Lewis Carroll's 1865 novel Alice's Adventures in Wonderland, directed by Bud Pollard, produced by Hugo Maienthau, and filmed at Metropolitan Studios in Fort Lee, New Jersey.
Excerpt from the surviving fragment of With Our King and Queen Through India (1912), the first feature-length film in natural colour, filmed in Kinemacolor. This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major ...
John Giorno shown in extreme close-up in Sleep. Sleep is a silent black-and-white film showing Giorno asleep. It is over five hours long, divided across five reels. Although the lack of action gives the illusion of continuity, the film is spliced together from many shorter shots.
The 1960s and 1970s marked the rise of exploitation-style independent B movies; films which were mostly made without the support of Hollywood's major film studios.As censorship pressures lifted in the early 1960s, the low-budget end of the American motion picture industry increasingly incorporated the sort of sexual and violent elements long associated with so-called ‘exploitation’ films.
The High Terrace, also known as High Terrace, is a 1956 black and white British second feature ('B') [1] mystery film directed by Henry Cass and starring Dale Robertson, Lois Maxwell, Derek Bond, Eric Pohlmann and Lionel Jeffries.