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Uncut (p. 130) – 4 stars out of 5 – "PE harnessed the power of chaos and rage more effectively than any punk or speed-metal merchant, were more articulate in their anger than any folk singer, were as righteous as any roots reggae or gospel singer."
The discography of Public Enemy, an American hip hop group, consists of 15 studio albums, two live albums, four compilation albums, two remix albums, one soundtrack album, four video albums, 39 singles, four promotional singles and 39 music videos.
[5] [6] Public Enemy, without Flavor Flav, would also tour and record music under the name of Public Enemy Radio which consists of the lineup of Chuck D, Jahi, DJ Lord and the S1Ws. Public Enemy's first four albums during the late 1980s and early 1990s were all certified either gold or platinum and were, according to music critic Robert Hilburn ...
"911 Is a Joke" is a 1990 song by American hip hop group Public Enemy, from their third album, Fear of a Black Planet. Solely performed by Flavor Flav, the track became a hit in April 1990 upon its release as a single, reaching number 15 on the Hot R&B/Hip-Hop Singles & Tracks chart, and number one on the Hot Rap Singles chart, becoming their second number-one rap chart hit after "Fight the ...
Greatest Misses is the first compilation album by American hip hop group Public Enemy. [5] Composed of six new songs, six remixed singles from previous albums and a live performance from the British TV series The Word, it was released on September 15, 1992, through Def Jam/Columbia/Sony Music.
Fight the Power: Greatest Hits Live! is a live album by Public Enemy. [1] Professional ratings; Review scores; Source Rating; ... "Public Enemy No. 1" "D.J. Lord Solo"
Chuck D has been shouting “Fight the Power” for more than 30 years. As Public Enemy’s de facto leader, the rapper/ orator has witnessed hip-hop in all of its phases and iterations since his ...
Warrell cites "Fight the Power" as Public Enemy's "most accessible hit", noting its "uncompromising cultural critique, its invigoratingly danceable sound and its rallying", and comments that it "acted as the perfect summation of [the group's] ideology and sound." [14] It became Public Enemy's best-known song among music listeners. [4]