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The three objects – the glass, the dial, and the book – may be purely metaphorical, not references to actual objects, but metaphors for observation, time and the act of writing. Sonnet 77 is the midpoint in the sequence of 154 sonnets.
The collection contains poems of various dates, with almost a third of its 94 poems having been published before the book's publication. [3] A not untypical thematic stress on life's ironies is present, [4] though Hardy himself was insistent that the title phrase was a poetic image only, and not to be taken as a philosophical belief. [5]
"How Long, Not Long" is the popular name given to the public speech delivered by Martin Luther King Jr. on the steps of the State Capitol in Montgomery, Alabama. Martin Luther King Jr. delivered this speech after the completion of the Selma to Montgomery March on March 25, 1965. [ 1 ]
Eugene O"Neill quotes from both "Vitae Summa Brevis" and "Cynarae" in his play Long Day's Journey into Night (1941). Dowson's poem Vitae Summa Brevis a/k/a "Days of Wine and Roses" is recited by the character Waldo Lydecker in the 1944 Otto Preminger-directed film noir Laura and in the UK-produced TV series The Durrells in Corfu (series 2 ...
Sonnet 22 uses the image of mirrors to argue about age and its effects. The poet will not be persuaded he himself is old as long as the young man retains his youth. On the other hand, when the time comes that he sees furrows or sorrows on the youth's brow, then he will contemplate the fact ("look") that he must pay his debt to death ("death my days should expiate").
English Renaissance poetry after the Elizabethan poetry can be seen as belonging to one of three strains; the Metaphysical poets, the Cavalier poets and the school of Spenser. However, the boundaries between these three groups are not always clear and an individual poet could write in more than one manner.
Alfred, Lord Tennyson "Tears, Idle Tears" is a lyric poem written in 1847 by Alfred, Lord Tennyson (1809–1892), the Victorian-era English poet. Published as one of the "songs" in his The Princess (1847), it is regarded for the quality of its lyrics.
These were re-wordings of Biblical passages in Old English, not exact translations, but paraphrasing, sometimes into beautiful poetry in its own right. The first and longest is of Genesis (originally presented as one work in the Junius manuscript but now thought to consist of two separate poems, A and B ), the second is of Exodus and the third ...