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1917 is a 2019 British war film directed and produced by Sam Mendes, who co-wrote it with Krysty Wilson-Cairns.Partially inspired by stories told to Mendes by his paternal grandfather Alfred about his service during World War I, [7] the film takes place after the German retreat to the Hindenburg Line during Operation Alberich, and follows two British soldiers, Will Schofield (George MacKay ...
1917 in film was a particularly fruitful year for the art form, and is often cited as one of the years in the decade which contributed to the medium the most, along with 1913. Secondarily the year saw a limited global embrace of narrative film-making and featured innovative techniques such as continuity cutting.
Best Foreign Film: 1917: Won [32] Detroit Film Critics Society: 9 December 2019 Best Use of Music Nominated [33] Directors Guild of America Awards: 25 January 2020: Outstanding Directing – Feature Film: Sam Mendes: Won [34] Dorian Awards: 8 January 2020 Director of the Year Sam Mendes: Nominated [35] Visually Striking Film of the Year 1917: Won
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1917 (Original Motion Picture Soundtrack) is the album to the Sam Mendes-directed war film 1917 featuring original score composed by Thomas Newman.The film marked Thomas' seventh collaboration with Mendes after American Beauty (1999), Road to Perdition (2002), Jarhead (2005), Revolutionary Road (2008), Skyfall (2012) and Spectre (2015).
The Charlatan (1917 film) The Charmer (1917 film) Chased Into Love; Cheerful Givers; Cheyenne's Pal; Chicken Casey; The Chief Cook; A Child of the Wild; Chris and His Wonderful Lamp; The Church and the Woman; The Cigarette Girl; The Cinderella Man (film) The Circus of Life (1917 film) The Clean Gun; The Clean-Up (1917 film) The Clemenceau ...
1917 is a 1970 British short film directed by Stephen Weeks and starring Timothy Bateson, David Leland, and Geoffrey Davies. [1] References
The Gulf Between was filmed on location in Jacksonville, Florida in 1917 by the Technicolor Motion Picture Corporation, using its two-color "System 1", in which, by means of a prism beam splitter, two consecutive frames of a single strip of black-and-white film were photographed simultaneously, one behind a red filter and the other behind a green filter.