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The dance is intended to impress the viewers with the great skill of the dancers. In some "Filipino Martial Arts" (FMA) circles, it is noted that the Maglalatik "consists of a trapping and boxing method hidden in a dance." The name of the dance means "latik-maker", from latik, a coconut product that is used in Filipino cooking.
Tinikling is a traditional Philippine folk dance which originated prior to Spanish colonialism in the area. [1] The dance involves at least two people beating, tapping, and sliding bamboo poles on the ground and against each other in coordination with one or more dancers who step over and in between the poles in a dance.
Tahing Baila is a Yakan dance, a low land tribal Philippine folk dance, in which it tries to imitate movements of fish. [2] Pangsak Basilan Yakan From the highlands of Mindanao, is a Musim ethnic group called the Yakan. They are known to wear body-hugging elaborately woven costumes.
It was formally established in 1957 as the Bayanihan Philippine Dance Company. In the same year, the company worked alongside the Bayanihan Folk Arts Center in researching and preserving indigenous Philippine art forms in music, dance, costumes, and folklore, and restructuring and enhancing these art forms to suit the demands of contemporary ...
Ramon Arevalo Obusan (June 16, 1938 – December 21, 2006) was a Filipino dancer, choreographer, stage designer and artistic director. Obusan is credited for his work in promoting Philippine traditional dance and cultural work. He is also an acclaimed archivist, researcher and documentary filmmaker who focused on Philippine culture.
Philippine dance is influenced by the country's folk performing arts and its Hispanic traditions; a number of styles also have global influences. Igorot dances such as banga, [ 94 ] Moro dances such as pangalay and singkil , [ 95 ] Lumad dances such as kuntaw, kadal taho and lawin-lawin, and Hispanic dances such as maglalatik and subli have ...
The Ramon Obusan Folkloric Group (ROFG) was founded in 1972, and started out as a fledgling folk dance company composed of some thirty performers. [1] Leaning on the vast amount of data and artifacts that he has accumulated while doing research over the years, Ramon Obusan [2] thought of starting a dance company that would mirror the traditional culture of the Philippines through dance and music.
According to the company's official website: "Its repertoire consists of Philippine traditional dances and music showing a kaleidoscope of Philippine culture through the performing arts." [2] The company performs dances from different parts of the country. Performers at the LKDC practice 4 to 6 hours almost each day to master the different ...