Ad
related to: where did swing jazz originate from in the world history
Search results
Results From The WOW.Com Content Network
Swing to Bop: An Oral History of the Transition in Jazz in the 1940s (1987) Hennessey, Thomas J. From Jazz to Swing: African-Americans and Their Music, 1890–1935 (1994). Schuller, Gunther. The Swing Era: The Development of Jazz, 1930–1945 (1991) Spring, Howard. "Swing and the Lindy Hop: Dance, Venue, Media, and Tradition".
During the 1920s the older two-beat style of jazz was superseded by four-beat jazz, facilitated by replacement of the sousaphone with the string bass. Four beat rhythm was the foundation of the Chicago style jazz developed by Louis Armstrong and Earl Hines, and of the swing era rhythmic styles. The change in rhythm started first with solo ...
Swing dance is a group of social dances that developed with the swing style of jazz music in the 1920s–1940s, with the origins of each dance predating the popular "swing era". Hundreds of styles of swing dancing were developed; those that have survived beyond that era include Charleston , Balboa , Lindy Hop , and Collegiate Shag .
"The quest to make jazz more relevant to popular audiences, while retaining its artistic integrity, is a constant and prevalent theme in the history of postwar jazz." [132] During its swing period, jazz had been an uncomplicated musical scene; according to Paul Trynka, this changed in the post-war years: Suddenly jazz was no longer straightforward.
All significantly influenced the development of big band-style swing jazz. [41] By 1930, the New Orleans-style ensemble was a relic, and jazz belonged to the world. [42] Several musicians grew up in musical families, where a family member would often teach how to read and play music.
In a review in The American Historical Review, George A. Boeck wrote: "Gunther Schuller's history of early jazz is the most scholarly and perceptive work on the subject to date." [ 7 ] Some twenty years later, in a review of The New Grove Dictionary of American Music in Music and Letters , Peter Dickinson wrote: "Gunther Schuller set standards ...
Just like in improvised music, politicians are constantly balancing opposing forces.
The Nazi regime pursued and banned the broadcasting of jazz on German radio, partly because of its African roots and because many of the active jazz musicians were of Jewish origin; and partly due to the music's certain themes of individuality and freedom. For the Nazis, jazz was an especially threatening form of expression.