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Silk was a common offering by the emperor to these tribes in exchange for peace. Silk is described in a chapter of the Fan Shengzhi shu from the Western Han period (206 BC–9 AD), and a surviving calendar for silk production in an Eastern Han (25–220 AD) document. The two other known works on silk from the Han period are lost.
The production of silk originated in China in the Neolithic period, although it would eventually reach other places of the world (Yangshao culture, 4th millennium BC). Silk production remained confined to China until the Silk Road opened at some point during the latter part of the 1st millennium BC, though China maintained its virtual monopoly over silk production for another thousand years.
Geographically, the Silk Road or Silk Route is an interconnected series of ancient trade routes between Chang'an (today's Xi'an) in China, with Asia Minor and the Mediterranean extending over 8,000 km (5,000 mi) on land and sea.
Sericulture, or silk farming, is the cultivation of silkworms to produce silk. Although there are several commercial species of silkworms, the caterpillar of the domestic silkmoth is the most widely used and intensively studied silkworm.
Weare anxious to help every school to obtain what it needs. Corticelli Silk Mills, Florence, Mass. 46 Text Appearing After Image: Teachers* Silk Culture Chart, This chart has over thirty engravings showing thedifferent steps in the culture and manufacture of silk.Printed on heavy coated cardboard v^ith reinforced top Note About Images
Silk merchants in the 19th century Weaving silk in Khotan, on the 'Southern Silk Road' 2011. Recent archaeological discoveries in Harappa and Chanhudaro suggest that sericulture, employing wild silk threads from native silkworm species, existed in South Asia during the time of the Indus Valley civilisation dating between 2450 BC and 2000 BC.
Jenkins, David, ed. (2003) The Cambridge History of Western Textiles, Cambridge University Press, ISBN 0-521-34107-8. Mannas, Lisa (2008) Merchants, Princes and Painters: Silk Fabrics in Northern and Italian Paintings 1300–1550, Appendix I:III "Medieval Silk Fabric Types and Weaves", Yale University Press, ISBN 978-0-300-11117-0
The silk produced is known for its glossy, fine texture and durability. It was previously reported that muga silk cannot be dyed or bleached due to "low porosity", but this is incorrect; muga takes dye like any other silk. This silk can be hand washed with its lustre increasing after every wash. Very often the silk outlives its owner.