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In Schenkerian analysis, a structural level is a representation of a piece of music at a different level of abstraction, with levels typically including foreground, middleground, and background. [1] According to Schenker musical form is "an energy transformation, as a transformation of the forces that flow from background to foreground through ...
Space – area that an artist provides for a particular purpose. Space includes the background, foreground and middle ground, and refers to the distances or area(s) around, between, and within things. Texture – the way a three-dimensional work actually feels when touched, or the visual "feel" of a two-dimensional work
In the foreground is a woman with a parasol and straw hat, accompanied by a child. In the middle ground, we see a couple similar to the first. The background, at the far end of the field, consists of a row of trees, with a house visible. The two mother-child couples mark out an oblique structuring the painting.
Foreground-background, a scheduling algorithm that is used to control execution of multiple processes on a single processor; Foreground-background segmentation, a method for studying change blindness using photographs with distinct foreground and background scenery; Foreground detection, a concept in computer vision to detect changes in image ...
Middle ground (also: middle-ground or middleground), an artistic space, located between background and foreground; Middleground (1947–1972), American Thoroughbred racehorse; Golden mean (philosophy), a desirable "middle ground" between two extremes. Argument to moderation, a logical fallacy that states that the "middle ground" is always correct
For example, the foreground might be in focus while the middle-ground and background are out-of-focus. When avoiding deep focus is used specifically for aesthetic effect—especially when the subject is in sharp focus while the background is noticeably out-of-focus—the technique is known as bokeh. [2]
Movement also helps; the figure may be moving against a static environment. Color is also a cue because the background tends to continue as one color behind potentially multiple foreground figures, whose colors may vary. Edge assignment also helps; if the edge belongs to the figure, it defines the shape while the background exists behind the shape.
Various activities go on in the background: plowing, boatbuilding, herding sheep, dancing; in the foreground, an old man sketches what may be a geometrical problem with a stick. On a bluff on the near side of the river, a megalithic temple has been built, and smoke (presumably from sacrifices) arises from it. Below the temple, an emerging ...