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Beat Saber Breezer Commercial Pumping Country Rounds (Sqeepo Remix) Jaroslav Beck, Kings & Folk, Sqeepo Escape (ft. Summer Haze) Jaroslav Beck, Summer Haze Legend (ft. Backchat) Jaroslav Beck, Crispin, Backchat Lvl Insane Jaroslav Beck Turn Me On (ft. Tiny C) Jaroslav Beck, Tiny C Original Soundtrack Vol. 2 Unlimited Power Jaroslav Beck
Jaroslav Beck (born 29 May 1988 in Strakonice) is a Czech composer and entrepreneur, most known as a co-creator of the successful VR game Beat Saber.Previously, Beck produced music for Blizzard Entertainment's Overwatch short movies, an award-winning introduction trailer StarCraft: Legacy of the Void, and various trailers for Battlefield by EA Games.
Beat Saber is a virtual reality rhythm game developed by Ján Ilavský, Vladimír Hrinčár, and Peter Hrinčár. The game was published by Czech game developer Beat Games and was later obtained by Oculus Studios. It takes place in many different surrealistic neon environments and features the player slicing blocks representing musical beats ...
The term corecore can be traced back to the hashtag #corecore being used on Tumblr as early as 2020. [1] However, its use on Tumblr and "especially" Twitter "existed solely as a pun on the literal definition of core, created out of users' frustrations of the over-saturation with the concept of "-cores," according to Townsend. [5]
Hyperpop (sometimes called bubblegum bass) [1] is a loosely defined electronic music movement [2] [3] and microgenre [4] that predominantly originated in the United Kingdom during the early 2010s.
The first version of Beatport's web store, Beatport 1.0, was released on January 7, 2004, and consisted of 79 electronic music record labels in its catalog. Half a year later, Beatport was beginning to become recognized after a few collaborations with well-known DJs and partnerships with the technology company Native Instruments. [3]
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Hardcore (also known as hardcore techno) [2] [3] is a genre of electronic dance music that originated in the Netherlands, Belgium, and Germany [4] in the early 1990s. It is distinguished by faster tempos and a distorted sawtooth kick (160 to 200 BPM or more [5]), the intensity of the kicks and the synthesized bass (in some subgenres), [6] the rhythm and the atmosphere of the themes (sometimes ...