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"Moments in Love" is a song by the British avant-garde synth-pop group Art of Noise. It was released on the group's debut EP , Into Battle with the Art of Noise , in September 1983. It appeared on their debut studio album, Who's Afraid of the Art of Noise?
The Seduction of Claude Debussy is the fifth and final studio album by Art of Noise, released in June 1999 in the United Kingdom and the United States, and December 1999 in Japan. It features a line-up of Trevor Horn , Anne Dudley , Paul Morley and Lol Creme , along with other appearances from John Hurt , soprano Sally Bradshaw , Rakim , and ...
List of studio albums, with selected chart positions and certifications Title Album details Peak chart positions Certifications; UK [1]AUS [2] [3]AUT [4]CAN
Who's Afraid of the Art of Noise? is the debut studio album by English avant-garde synth-pop group Art of Noise, released on 19 June 1984 by ZTT Records.It features the singles "Close (to the Edit)" which reached No. 8 on the UK Singles Chart in November 1984 and the double A-sided "Moments in Love"/"Beat Box", which made it to No. 51 in April 1985 in the UK.
Into Battle constructed tracks using early sampling techniques centred on the Fairlight CMI workstation, which at the time was state-of-the-art technology. Two songs from the EP, "Beat Box" and "Moments in Love", were subsequently featured on the group's first LP, Who's Afraid of the Art of Noise?, in altered form.
Beat Box" is a song by English avant-garde synth-pop group Art of Noise. Originally appearing as the second track on the 12" EP Into Battle with the Art of Noise (1983), it was released as the group's first single in December 1983.
An Amigo the Devil concert is often a boisterous communal singalong, with Kiranos prowling the stage — a banjo or guitar in his hands — and belting out lyrically dense folk songs that can be ...
The first release of a version of "Close (to the Edit)" was as a nominal remix of "Beat Box" under the title "Beat Box (Diversion Two)". This was then re-edited and partly remixed with different effects applied, to become the version of "Close (to the Edit)" which appeared on the subsequent studio album Who's Afraid of the Art of Noise?