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The Barber of Seville, or The Useless Precaution (Italian: Il barbiere di Siviglia, ossia L'inutile precauzione [il barˈbjɛːre di siˈviʎʎa osˈsiːa liˈnuːtile prekautˈtsjoːne]) is an opera buffa (comic opera) in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini.
The Barber of Seville or the Useless Precaution [1] (French: Le Barbier de Séville ou la Précaution inutile) is a French play by Pierre Beaumarchais, with original music by Antoine-Laurent Baudron. It was initially conceived as an opéra comique , and was rejected as such in 1772 by the Comédie-Italienne .
Several musical adaptations of Il barbiere di Siviglia predated the version by Paisiello, but Paisiello's comic opera was the first to achieve widespread success. It was subsequently staged in several cities in the years immediately following its premiere, including [1] Vienna, where Il barbiere played at five venues from 1783 until 1804, both in Italian and German, and received nearly 100 ...
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The most popular examples in animation are The Barber of Seville (a 1944 film with Woody Woodpecker acting as a mischievous barber), the final segment from the 1946 Disney film Make Mine Music, "The Whale Who Wanted to Sing at the Met", Long-Haired Hare (1949), Magical Maestro (1952), One Froggy Evening (1955), and The Cat Above and the Mouse ...
Ecco, ridente in cielo" is a cavatina from Gioachino Rossini's 1816 opera The Barber of Seville, sung by the tenor Count Almaviva, disguised as the poor student Lindoro, at the beginning of act 1. Music
Märchenbilder or Fairy Tale Pictures, for Piano and Viola, Op. 113, was written by Robert Schumann in March 1851. The work is dedicated to the German violinist and conductor Wilhelm Joseph von Wasielewski. It consists of four character pieces and is an original composition featuring the viola from the Romantic period.
The Barber of Seville (French: Le Barbier de Séville) is a 1948 French musical film directed by Jean Loubignac [1] It is a screen version of the 1816 opera by Rossini based on the 1775 play by Beaumarchais (in the translation by Castil-Blaze). [2]