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Bridgerton. The music for the historical fiction - romance streaming television series Bridgerton, on the novel series of the same name by Julia Quinn, features an orchestral and classical score composed and produced by Kris Bowers and orchestral covers of contemporary popular music, [1][2] performed by Vitamin String Quartet, Dunno and Bowers ...
Across every season of Bridgerton, music supervisors have commissioned reimagined hits from Taylor Swift, Nirvana, Rihanna and more modern artists to set the tone for the dramatic historical scenes.
Phoebe Dynevor as Daphne Bridgerton and Regé-Jean Page as Simon Basset in ‘Bridgerton.’ Liam Daniel/Netflix Across every season of Bridgerton, music supervisors have commissioned reimagined ...
The Unofficial Bridgerton Musical is a concept album by Abigail Barlow and Emily Bear based on season 1 of the Netflix series Bridgerton. They developed the songs on the album on TikTok in early 2021 in a series of live sessions, during which they received and incorporated viewer feedback. Released in September 2021, the album charted on ...
Bridgerton is an American historical romance television series created by Chris Van Dusen for Netflix. Based on the book series by Julia Quinn, it is Shondaland 's first scripted show for Netflix. The series is set during the early 1800s in an alternative London Regency era, in which George III established racial equality and granted many ...
For the third season of Netflix's hit romance series, "Bridgerton" debuted its first original song, "All I Want" by Tori Kelly, and incorporated an orchestral version in the end credits of the ...
Kris Bowers, who scored both the first and second seasons of Bridgerton, also worked on two original soundtrack projects for the series through Sony Music. [3] The first one, Queen Charlotte: A Bridgerton Story (Soundtrack from the Netflix Series), was supervised by Bowers, with co-production by Max Wrightson and co-writing of some tracks by Alec Sievern and Michael Dean Parsons.
In past seasons, we've heard pop songs get the orchestral cover treatment, such as when Ariana Grande's "Thank U, Next" and Billie Eilish's "Bad Guy" play at one of "Bridgerton's" many balls ...