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52. Soundtrack albums. 1. #1 Singles. 1. This is a detailed discography for American country musician David Allan Coe. He started his career in 1970 on SSS International Records before signing with Columbia Records and staying with the label for 15 years. In the 1990s, he released albums through several independent labels such as his own DAC ...
David Allan Coe (born September 6, 1939) is an American singer and songwriter. [2] Coe took up music after spending much of his early life in reform schools and prisons, and first became notable for busking in Nashville. He initially played mostly in the blues style, before transitioning to country music, becoming a major part of the 1970s ...
Nothing Sacred. (album) Nothing Sacred is the eleventh studio album by American country musician David Allan Coe. Released in 1978, it is Coe's fourth independent album, after Penitentiary Blues, Requiem for a Harlequin and Buckstone County Prison. Nothing Sacred was noted for its profane and sexually explicit lyrics, and was released solely by ...
The Mysterious Rhinestone Cowboy sets the template for many of Coe's albums throughout the seventies: an eclectic mix of original compositions and occasional cover songs steeped in Coe's self-aggrandizing personae with lyrics that ranged from braggadocios to deeply sensitive. Typical of latter is the sentimental “River,” the story of a ...
David Allan Coe chronology. Rough Rider. (1981) D.A.C. (1982) Underground Album. (1982) D.A.C is an album released by country musician David Allan Coe. It was released in 1982 on Columbia .
Underground Album is the 21st studio album by American country musician David Allan Coe. It was released as a mail order album, not sold in stores, only through the back pages of the motorcycling magazine Easyriders and in the concession stand at his shows. [1] Underground Album is Coe's follow-up to his 1978 album Nothing Sacred.
A Matter of Life…and Death would be Coe’s final album for Columbia, a partnership that stretched back to 1974 and produced 21 studio albums. Coe and longtime producer Billy Sherrill enjoyed their biggest commercial success together in the 1980s with Top 5 singles “The Ride” and “Mona Lisa Lost Her Smile," but by the end of the decade a new generation of country singers were ...
“Honey Don’t” sounds like Coe striking back at anyone who would dare question his musical credentials (“I’ve been a roadie for Satan, honey/I was the sound man for the Devil…”) and includes the repeated line “Honey don’t you pull that shit on me,” a rare expletive on a major label country record at the time.