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Sonata form (also sonata-allegro form or first movement form) is a musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th century (the early Classical period). While it is typically used in the first movement of multi-movement pieces ...
History of sonata form. Sonata form is one of the most influential ideas in the history of Western classical music. Since the establishment of the practice by composers like C.P.E. Bach, Haydn, Mozart, Beethoven, and Schubert and the codification of this practice into teaching and theory, the practice of writing works in sonata form has changed ...
A piano sonata is a sonata written for a solo piano. Piano sonatas are usually written in three or four movements, although some piano sonatas have been written with a single movement (Scarlatti, Liszt, Scriabin, Medtner, Berg), others with two movements (Haydn, Beethoven), some contain five (Brahms ' Third Piano Sonata, Czerny 's Piano Sonata ...
Sonata Theory is an approach to the description of sonata form in terms of individual works' treatment of generic expectations. For example, it is normative for the secondary theme of a minor-mode sonata to be in either the key of III or v. If a composer chooses to break this norm in a given piece, that is a deviation that requires analytical ...
In the field of music theory, the term Sonata Cycle refers to the layout of a multi- movement work where the movements are recognizably in the forms of the tradition of classical music. It differs from the term cyclic form in that there is no unifying motive or theme used in all the movements. The standard sonata cycle has four movements ...
Claude Debussy 's Six sonatas for various instruments (French: Six sonates pour divers instruments) was a projected cycle of sonatas that was interrupted by the composer's death in 1918, after he had composed only half of the projected sonatas. He left behind his sonatas for cello and piano (1915), flute, viola and harp (1915), and violin and ...
Sonatas and Interludes is a cycle of twenty pieces for prepared piano by American avant-garde composer John Cage (1912–1992). It was composed in 1946–48, shortly after Cage's introduction to Indian philosophy and the teachings of art historian Ananda K. Coomaraswamy, both of which became major influences on the composer's later work.
The Sonata has no programmatic allusions; it is a piece of "expressive form" with no meaning beyond itself. [11] Walker claims the quiet ending of the Sonata was an afterthought; the original manuscript contains a crossed-out ending section which would have ended the work in a loud flourish instead. [5] Page 25 of the manuscript.