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Dynamic characters are those that change over the course of the story, while static characters remain the same throughout. An example of a popular dynamic character in literature is Ebenezer Scrooge, the protagonist of A Christmas Carol by Charles Dickens. At the start of the story, he is a bitter miser, but by the end of the tale, he ...
The character was created by Milestone Comics founders Dwayne McDuffie, Denys Cowan, Michael Davis, Derek T. Dingle, and Christopher Priest. [1] The character first appeared in a 3-page preview in Icon #1 (May 1993) with his first full appearance in Static #1 (June 1993), written by McDuffie and Robert L. Washington III and illustrated by John ...
With the clone Static's assistance, Replay frames the original and attempts to become famous again, but Static and Richie clear the former's name and defeat Replay. Thomas Kim / Tantrum (voiced by John Cho ): An intelligent, weak-willed teenage Bang Baby who transforms into a purple-skinned, muscular, and violent monster whenever he gets angry.
Static Shock ' s last season was only surpassed by the children's anime Pokémon, and the show's reruns on Cartoon Network were only surpassed by the adult animated sitcom Family Guy. [6] Static Shock was the only program on Cartoon Network to be among the top 30 most watched kids shows in a week of October 2004. [53]
Two other characters from the Restaurant – Max Quordlepleen and Zarquon – also appear. Thor is a major character in the novel And Another Thing..., where he fights Wowbagger and protects the humans from Zaphod's dodgy weapons. Thor also appears in the Dirk Gently novel and radio series The Long Dark Tea-Time of the Soul.
The character's final original appearance was in Ditko's World Featuring...Static #1-3 (1986) for Renegade Press, which reprinted the feature from Eclipse Monthly #3, alongside new material. The series was collected by Robin Snyder as the two-volume Steve Ditko's Static in 1988 and 1989, later merged as a single volume in 2000.
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Image schemas are dynamic embodied patterns—they take place in and through time. Moreover, they are multi-modal patterns of experience, not simply visual. For instance, consider how the dynamic nature of the containment schema is reflected in the various spatial senses of the English word out.