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The songs are listed in the index by accession number, rather than (for example) by subject matter or in order of importance. Some well-known songs have low Roud numbers (for example, many of the Child Ballads), but others have high ones. Some of the songs were also included in the collection Jacobite Reliques by Scottish poet and novelist ...
The song that had the longest run atop the chart during the 1980s was "Start Me Up" by the Rolling Stones at 13 weeks from the beginning of September through the first week of December in 1981. No other song had a run of more than 10 weeks. Tom Petty (with and without the Heartbreakers) was the act with the most number ones during the 1980s with 6.
The RFID Network responded to these fears in the first episode of their syndicated cable TV series, saying that they are unfounded, and let RF engineers demonstrate how RFID works. [147] They provided images of RF engineers driving an RFID-enabled van around a building and trying to take an inventory of items inside.
Like Omigod! The 80s Pop Culture Box (Totally) is a seven-disc, 142-track box set of popular music hits of the 1980s. Released by Rhino Records in 2002, the box set was based on the success of Have a Nice Decade: The 70s Pop Culture Box, Rhino's box set covering the 1970s. Original release sets had a 3D rubber cover.
A walkaround (also spelled walk-around or walk around, or called a horay) was a dance from the blackface minstrel shows of the 19th century. The walkaround began in the 1840s as a dance for one performer, but by the 1850s, many dancers or the entire troupe participated.
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Let's Take a Walk Around the Block" is a popular [citation needed] song composed by Harold Arlen, with lyrics written by Ira Gershwin and E.Y. Harburg. It was introduced in the musical Life Begins at 8:40. The original Broadway production opened at the Winter Garden Theatre on August 27, 1934 and closed on March 16, 1935 after a run of 237 ...
It is the title song to the film of the same name, and features all four members of Traffic singing a joint lead, though the bridge and parts of the chorus have Steve Winwood singing unaccompanied. The single uses an edited version of the song, with the intro removed. When released in late 1967, the single cracked the UK Top 10. [2]