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The triangle is typically suspended from a triangle clip that suspends the triangle so that it is free to vibrate. When the instrument is played with one beater, the hand that holds the triangle clip can also be used to damp or slightly modify the sound. The triangle is usually struck with a metal beater, giving a high-pitched, ringing tone.
Has a sound that mimics the human voice Tambora: Dominican Republic Unpitched 211.212.1 Membranophone Tamborim: Brazil Unpitched 211.311 Membranophone Tamborita calentana: Mexico Unpitched Membranophone Tamalin: Ghana Unpitched 211.311 Membraphone Tambourine: Unpitched 211.311 Membranophone But the headless tambourine is an idiophone Tan-tan ...
I found out that it was an animal skull that you would strike, and the sound would come from the teeth-rattling in the loose sockets. So I took that concept and invented the Vibraslap, which was my first patent." [6] The vibraslap was the first patent granted to the instrument manufacturing company Latin Percussion. [7
Articulation describes the forming of a tone in all its facets. This also includes loudness, timbre, intonation, and envelope characteristics. A note is accented by a sort of triangle without its base. A musician using a string instrument would accent a note by playing the string harder and with more attack creating a louder sound.
Suggested notation of music for flexatone, using roll symbols for the tremolo and approximate pitch [3] Rhythmic pattern easily playable on the flexatone [4]. The flexatone or fleximetal is a modern percussion instrument (an indirectly struck idiophone) consisting of a small flexible metal sheet suspended in a wire frame ending in a handle. [5]
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A flanger is an effects unit that creates this effect. Part of the output signal is usually fed back to the input (a re-circulating delay line), producing a resonance effect that further enhances the intensity of the peaks and troughs. The phase of the fed-back signal is sometimes inverted, producing another variation on the flanger sound.
A very low rate can be used to modulate a filter's cutoff frequency, thereby providing the characteristic gradual sensation of the sound becoming clearer or closer to the listener. Alternatively, a high rate can be used for bizarre 'rippling' sound effects (indeed, another important use of LFO is for various sound effects used in films).