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The harmonic series is the infinite series = = + + + + + in which the terms are all of the positive unit fractions. It is a divergent series : as more terms of the series are included in partial sums of the series, the values of these partial sums grow arbitrarily large, beyond any finite limit.
In mathematics, a harmonic progression (or harmonic sequence) is a progression formed by taking the reciprocals of an arithmetic progression, which is also known as an arithmetic sequence. Equivalently, a sequence is a harmonic progression when each term is the harmonic mean of the neighboring terms.
This was proved by Leonhard Euler in 1737, [1] and strengthens Euclid's 3rd-century-BC result that there are infinitely many prime numbers and Nicole Oresme's 14th-century proof of the divergence of the sum of the reciprocals of the integers (harmonic series).
An infinite series of any rational function of can be reduced to a finite series of polygamma functions, by use of partial fraction decomposition, [8] as explained here. This fact can also be applied to finite series of rational functions, allowing the result to be computed in constant time even when the series contains a large number of terms.
The harmonic numbers roughly approximate the natural logarithm function [2]: 143 and thus the associated harmonic series grows without limit, albeit slowly. In 1737, Leonhard Euler used the divergence of the harmonic series to provide a new proof of the infinity of prime numbers.
Harmonic series, partials 1–5 numbered. In music, just intonation or pure intonation is the tuning of musical intervals as whole number ratios (such as 3:2 or 4:3) of frequencies. An interval tuned in this way is said to be pure, and is called a just interval.
The harmonic series (also overtone series) is the sequence of harmonics, musical tones, or pure tones whose frequency is an integer multiple of a fundamental frequency. Pitched musical instruments are often based on an acoustic resonator such as a string or a column of air, which oscillates at numerous modes simultaneously.
The essential thrust of a proof follows, patterned after Oresme's proof of the divergence of the harmonic series. To see the first inequality, the terms of the original series are rebracketed into runs whose lengths are powers of two, and then each run is bounded above by replacing each term by the largest term in that run. That term is always ...