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Yupei could be stringed together to make an ensemble of jade pendants (which would hold at the belt and could also be composed of chains of bi (璧; jade discs or jade rings). [ 2 ] : 18–20 Jade in the form of huang were also popular in the making of yupei and had a rigid and specific rules attached to its use.
North American Indian Jewelry and Adornment: From Prehistory to the Present. New York: Harry N. Abrams, 1999: 170-171. ISBN 0-8109-3689-5. Haley, James L. Apaches: a history and culture portrait. Norman: University of Oklahoma Press, 1997. ISBN 978-0-8061-2978-5. Karasik, Carol. The Turquoise Trail: Native American Jewelry and Culture of the ...
Main jade producing countries. Jade is an umbrella term for two different types of decorative rocks used for jewelry or ornaments.Jade is often referred to by either of two different silicate mineral names: nephrite (a silicate of calcium and magnesium in the amphibole group of minerals), or jadeite (a silicate of sodium and aluminum in the pyroxene group of minerals). [1]
Jōdo-shū is somewhat unusual because of the use of a double-ringed prayer beads, called nikka juzu (日課数珠), which are used for counting nenbutsu recitations (i.e. recitation of the name of Amitabha Buddha): one ring contains single beads used to count a single recitation while the other ring is used to count full revolutions of the ...
A friendship bracelet is a decorative bracelet given by one person to another as a symbol of friendship. Friendship bracelets are often handmade, usually of embroidery floss or thread and are a type of macramé. There are various styles and patterns, but most are based on the same simple half-hitch knot. They represent a friendship that is ...
A horn-shaped jade ring, also known as a trumpet-shaped jade ring (Chinese: 喇叭形玉環; pinyin: lǎ ba xíng yù huán) is a kind of prehistoric single-bulged bracelet found in Taiwan. It is carved and polished from one individual jade, with a section in "L" shape. One side of the bracelet extends externally, forming the shape of a trumpet ...
In her words, "In order to sustain a genuine self, I create a world in which I shift to become one or all of my multiple visions of self." [ 90 ] She has suntanned phrases into her skin, donned cross-cultural and cross-gender disguises, and incorporated songs, ranging from Inupiaq throat singing to racist children's rhymes into her work.