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Israel Houghton (/ ˈ h oʊ t ən /; born May 19, 1971) is an American contemporary Christian music singer, songwriter, producer, and worship leader. His worship team is credited as Israel & New Breed .
Israel Houghton & Joth Hunt: Israel & New Breed: 05:38: 7. "Jesús En El Centro (Jesus at the Center)" Israel Houghton, Micah Massey & Adam Ranney: Israel & New Breed: 06:42: 8. "No Hay Palabras (Speechless)" Israel Houghton, & Adam Ranney: Israel & New Breed (featuring Lucía Parker) 06:11: 9. "Tu Presencia Es El Cielo (Your Presence Is Heaven ...
Aleluya (En La Tierra) is the second album in Spanish by American contemporary worship band Elevation Worship. [ 1 ] [ 2 ] The album was released on July 19, 2019 through its own imprint label, Elevation Worship Records.
Covered: Alive in Asia is a live album by Israel & New Breed. RCA Inspiration released the album on July 24, 2015. Israel & New Breed worked with Chris Baker, Kevin Camp, and Aaron Lindsey, in the production of this album.
Love God. Love People.: The London Sessions was produced by Houghton with longtime collaborator Aaron W. Lindsey, and Tommy Sims. Houghton, Lindsey, and Sims also co-wrote five of the songs, including the first gospel single, "You Hold My World", which was nominated for a Dove Award. Three additional songs were penned by Houghton and his wife ...
On February 1, 2019, a Spanish rendition of the song, titled "Eco (Echo)" was released by Elevation Worship. [7] On April 12, 2019, a revamped version of "Echo" was released on Elevation Worship's album Paradoxology (2019), a collection of revamped songs initially released on Hallelujah Here Below . [ 8 ]
Alive In South Africa is a live worship album by Israel & New Breed. Recorded on August 20, 2005 in Cape Town, South Africa, the disc was released on October 25, 2005 by Integrity Media. It is the fifth album by Israel, his fourth released by Integrity, and his third live album and serves as the follow-up to his 2004 album Live from Another Level.
Israel Houghton's The Power of One, however, doesn't seem to want to fit into either category, leaving listeners with a mixed result." [ 5 ] In concluding, Gelwicks wrote that "Israel Houghton had a good thing going, but the entire album could have been improved if he majored on the uniqueness factor and made it a constant theme.