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Phonograph cylinders (also referred to as Edison cylinders after its creator Thomas Edison) are the earliest commercial medium for recording and reproducing sound.Commonly known simply as "records" in their heyday (c. 1896–1916), a name which has been passed on to their disc-shaped successor, these hollow cylindrical objects have an audio recording engraved on the outside surface which can ...
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Blue Amberol Records was the trademark name for cylinder records manufactured by Thomas A. Edison, Inc. in the US from 1912 to 1929. They replaced the 4-minute black wax Amberol cylinders introduced in 1908, which had replaced the 2-minute wax cylinders that had been the standard format since the late 1880s.
Nevertheless, the Blue Amberol format was the longest-lived cylinder record series employed by the Edison Company. [1] These were designed to be played on an Amberola, a type of Edison machine specially designed for celluloid records that did not play older wax cylinders. Blue Amberols are more commonly seen today than earlier Edison 2-minute ...
The bladder was then deflated, and cold air was used to shrink the tubing so the celluloid print could be removed. The printed tubing was put in a plaster filler. When the plaster was hard the cylinders were then baked in an oven, then ribs made on the inside of the plaster with knives. The records were cleaned and then packaged. [8]
Celluloids are a class of materials produced by mixing nitrocellulose and camphor, often with added dyes and other agents.Once much more common for its use as photographic film before the advent of safer methods, celluloid's common present-day uses are for manufacturing table tennis balls, musical instruments, combs, office equipment, fountain pen bodies, and guitar picks.
Test pressings were made at the normal 12-inch and 10-inch sizes in addition to the 7-inch sizes noted below for both 8 + 1 ⁄ 3 as well as 16 + 2 ⁄ 3. However, with mastering facilities of the period only going as low as 16 rpm, the quadruple-speed mastering required to get a playback speed of 4 rpm was deemed to have an insufficient audio ...
In the Pathé recording studios, masters were cut on what was called a "Master Cylinder", rapidly spinning wax cylinders that measured about 13 inches (33 cm) long and 4 + 1 ⁄ 2 inches (11 cm) in diameter. [4] Beginning in 1913, special "Paradis" cylinders about 8 inches (20 cm) in diameter and 8 + 1 ⁄ 2 inches (22 cm) long were used. The ...