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Ethiopian jazz, also referred to as Ethio-jazz, is a blend of traditional Ethiopian music with jazz, combining the pentatonic scale-based melodies of Amharic music with the 12-tone scale and instrumentation of western music. Over time the genre has grown to include elements from other genres such as afrofunk, soul, Armenian jazz, and Latin ...
Mulatu recorded Mulatu of Ethiopia (1972) in New York City, but most of his music was released by Amha Eshete's label Amha Records in Addis Ababa, Ethiopia, including several singles, his album Yekatit Ethio Jazz (1974), and six out of the ten tracks on the compilation album Ethiopian Modern Instrumentals Hits.
Walias Band (sometimes spelled Wallias Band; Amharic: ዋሊያስ ባንድ) were an Ethiopian jazz and funk band active from the early 1970s until the early 1990s. Formed by members of the Venus Band, Walias backed up many prominent singers with a hard polyrhythmic funk sound influenced by western artists like King Curtis, Junior Walker and Maceo Parker.
Ethiopian jazz is a fusion of traditional Ethiopian rhythms and harmonies with the techniques and instruments of Western jazz. One of the key figures in the development of Ethiopian Jazz was Mulatu Astatke. As a teenager, Mulatu was able to leave Addis Ababa in 1959 to study music at the Trinity College of Music in London. [4]
With Ethiopia's capital city being a nexus of culture, music, and dance from other nations, Melaku incorporated these into his repertoire as well, gradually assembling a 13-piece ensemble called the Ethiocolor Cultural Band. [13] Combining tribal dances and folk instruments with jazz, rock, theater and elaborate costumes. [3]
The music of Ethiopia is a reflection of all the historical and social episodes, such as the military campaigns that various warlords or chiefs had to launch. The music is about war as well as patriotism, songs of victory, and songs that incite support for a certain crusade. [10] The music is also about love, with wonderful melodies and poetic ...
The Ethiopian New Year has a rich cultural history dating back to the days of Queen Sheba. In fact, the holiday's name is derived from a story about Queen Sheba's return to Ethiopia after a visit ...
[7] April Clare Welsh of Fact Magazine called it "a vital document of Ethiopian musical history." [2] By the time of the album's re-release, synthesizers and drum machines had become common instruments within Ethiopian pop music, albeit in a different fashion than that on His Classical Instrument. Tangari felt one of the aspects which separates ...