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In 1973, Roland released the RE-100 and RE-200 tape delay units, which used a short 1/4" tape loop. [1] In 1974, Roland released the first Space Echo units in two models: the RE-101 and the RE-201, which also included spring reverb. [1] Instead of the tape reel used in previous tape echo units, the Space Echo uses a free-running tape transport ...
An echo chamber is a hollow enclosure used to produce reverberation, usually for recording purposes. A traditional echo chamber is covered in highly acoustically reflective surfaces. By using directional microphones pointed away from the speakers, echo capture is maximized. Some portions of the room can be moved to vary the room's decay time.
Microphones used for sound reinforcement are positioned and mounted in many ways, including base-weighted upright stands, podium mounts, tie-clips, instrument mounts, and headset mounts. Microphones on stands are also placed in front of instrument amplifiers to pick up the sound. Headset-mounted and tie-clip-mounted microphones are often used ...
The EMT 140 plate reverb system. A plate reverb system uses an electromechanical transducer, similar to the driver in a loudspeaker, to create vibrations in a large plate of sheet metal. The plate's motion is picked up by one or more contact microphones whose output is an audio signal that may be added to the original "dry" signal. [3]
Same tone-wheel generator as the B-3 / C-3 but with power amp and speakers built into the console, along with a separate Reverb amplifier and speaker. [15] C: 1939–1942 [16] Almost same as Model A-B but with church style cabinet. [16] CV: 1945–1949 [17] Based on Model C, Hammond Vibrato was added.
A rare type of microphone stand is the bottomless microphone stand—essentially a microphone stand with no base, so a singer must hold it throughout a live performance. It is useful as a mobile prop. Freddie Mercury (the lead singer of Queen), discovered the device by accident: he grabbed a standard microphone stand with such force that it ...