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The Nazi-controlled government in German-occupied France produced the Vica comic book series during World War II as a propaganda tool against the Allied forces. The Vica series, authored by Vincent Krassousky , represented Nazi influence and perspective in French society, and included such titles as Vica Contre le service secret Anglais , and ...
A Nazi propaganda poster of Hitler used during the 1932 German presidential election campaign. Adolf Hitler's cult of personality was a prominent feature of Nazi Germany (1933–1945), [1] which began in the 1920s during the early days of the Nazi Party.
German Museum in Munich, featuring a poster of the antisemitic Nazi propaganda film The Eternal Jew (1937) With the establishment of Department V (Film), the Propaganda Ministry became the most important body for the German film industry alongside the Reich Chamber of Culture and the Reich Film Chamber. Initially little changed in the formal ...
First propaganda film directed by Riefenstahl. Recounts the Fifth Party Rally of the Nazi Party, which occurred in Nuremberg from 30 August to 3 September 1933. 8 December 1933: Flüchtlinge "Refugees" 87 min: Feature film: Gustav Ucicky: Hans Albers Käthe von Nagy Eugen Klöpfer Andrews Engelmann: 13 December 1933: Hans Westmar. Einer von vielen.
Italian fascist propaganda poster. Although Germany and Italy were partners in World War II, German propagandists made efforts to influence the Italian press and radio in their favor. In September 1940, the so-called Dina (Deutsch-italienischer Nachrichten-Austausch) service was set up, ostensibly to improve news exchanges during the war. In ...
Film on the home-front during World War II, depicted the war uniting all levels of society, as in the two most popular films of the Nazi era, Die grosse Liebe and Wunschkonzert. [91] Failure to support the war was an anti-social act; this propaganda managed to bring arms production to a peak in 1944. [49]
The youth of Nazi Germany came of age in the 1920s, 1930s, and early 1940s listening to racist and anti-Semitic lectures, reciting Nazi-inspired slogans, reading propaganda publications, and attending national youth rallies. [3] The affected children were instructed to report any activities or conversations that could be considered treacherous.
This supported the common Nazi propagandist theme that Roosevelt was under Jewish control. This was a popular topic for propaganda in the Nazi party and appeared in several other cartoons and caricatures on magazine covers. The theme can be seen in another cartoon on the cover of 'Lustige Blätter' which is captioned 'American candelabra.