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A doxology (Ancient Greek: δοξολογία doxologia, from δόξα, doxa 'glory' and - λογία, -logia 'saying') [1] [2] [3] is a short hymn of praises to God in various forms of Christian worship, often added to the end of canticles, psalms, and hymns.
" Gloria in excelsis Deo" (Latin for "Glory to God in the highest") is a Christian hymn known also as the Greater Doxology (as distinguished from the "Minor Doxology" or Gloria Patri) and the Angelic Hymn [1] [2] /Hymn of the Angels. [3] The name is often abbreviated to Gloria in Excelsis or simply Gloria
The Gloria Patri, also known in English as the Glory Be to the Father or, colloquially, the Glory Be, is a doxology, a short hymn of praise to God in various Christian liturgies. It is also referred to as the Minor Doxology (Doxologia Minor) or Lesser Doxology, to distinguish it from the Greater Doxology, the Gloria in Excelsis Deo.
The hymn From all that dwell below the skies, a paraphrasing of Psalm 117 by Isaac Watts with the Doxology as the final verse, is commonly sung to the tune. [9] In the Sacred Harp and other shape note singing traditions, the tune is sung with the text "O Come, Loud Anthems Let Us Sing," a metrical paraphrase of Psalm 95 from Tate and Brady 's A ...
The hymn is made up of six verses, of which four are usually included in a hymnal. Each verse consists of a quatrain with an ABAB rhyme scheme , and is followed by a common refrain . [ 1 ] Franzmann originally only wrote four verses, but eventually added one with a " cross emphasis" and later a doxology as the sixth and final verse. [ 2 ]
Quicumque Christum Quærtis is the opening line of the twelfth (in honour of the Epiphany) and last poem in the "Cathemerinon" of Prudentius.This twelfth poem or hymn contains 52 iambic dimeter strophes, and an irregular selection from its 208 lines has furnished four hymns to the Roman Breviary, all of which conclude with the usual Marian doxology ("Jesu tibi sit gloria" etc., not composed by ...
The song became part of the 1646 hymnal. [2] A seventh stanza was added as a doxology (Gloria Patri) in the 1648 edition, which was exchanged for another doxology in the 1653 Lüneburg edition of the hymnal. [2]
The song, in eight stanzas of four lines each, expresses first the request for the coming of a redeemer of all people, including the heathens or gentiles, born of a virgin. It reflects his origin from the Father, to whom he will return after going to Hell. The last stanza is a doxology, translating a medieval appendix to Ambrose's hymn. [13]