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In a portrait retouching could be used to improve a sitter's appearance, for instance, by removing facial blemishes, and in a landscape with an overexposed sky, clouds could be painted into the image. Water-colours, inks, dyes, and chemical reducers are used with such tools as scalpels, pointed brushes, airbrushes, and retouching pencils.
A self-portrait of a colorless, but youthful, rounded oval face, in full-frontal view, emerges from a reddish-brown, textured, but indistinct background; the eyes of the face are open but the body belonging to the face is abstract, blurred by pencil strokes and the color of sepia ink; [1] the clothing worn by the subject is indistinguishable as it dissolves into the background with each pencil ...
A variety of colored pencils. A colored pencil (American English), coloured pencil (Commonwealth English), [1] colour pencil (Indian English), map pencil, [2] pencil crayon, or coloured/colouring lead (Canadian English, Newfoundland English) is a type of pencil constructed of a narrow, pigmented core encased in a wooden cylindrical case.
Self portrait of William Berry painted in 2004. William Augustus Berry (born September 29, 1933, Jacksonville, Texas; died January 3, 2010, Columbia, Missouri) [1] [2] was an author, artist, and professor of art, known for his illustrations and colored pencil drawings.
The portrait was executed in the first days of September 1888, a few days before Boch's departure. In the first version of Van Gogh's Bedroom, executed in October 1888, this portrait is shown hanging to the left of the portrait of Paul-Eugène Milliet. Arranged this way, both portraits may have formed part of the Décoration for the Yellow House.
Portrait paintings of "men of culture" (wen ren hua) at that period reflects this dilemma. For instance, the Portrait of Yang Qian depicted him standing in a bamboo forest. While the bamboo symbolizes his moral rightness, the half-enclosed and half-opened space in the background alludes to his potential of choosing between reclusion and serve ...