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An electret microphone is a microphone whose diaphragm forms a capacitor (historically-termed a condenser) that incorporates an electret. The electret's permanent electric dipole provides a constant charge Q on the capacitor.
English: A typical electret microphone preamp circuit uses a FET in a common source configuration. The two-terminal electret capsule contains an FET which must be externally powered by supply voltage V +. The resistor sets the gain and output impedance. The audio signal appears at the output, after a DC-blocking capacitor.
The microphone came with a switch to tailor the mid-bass response, attenuating frequencies below 400 Hz with a mild high-pass filter. Like all premium microphones made by EV, it used EV's 1930s humbucker method of reducing electromagnetic interference by wiring a humbucking coil out of polarity with the microphone element coil.
† Although the mic input is usually mono, the input is still a TRS phone socket. Many mono 'computer' mics are fitted with TRS plugs. The tip is for the MIC and the ring is for power (to power an electret-condenser style MIC). There are exceptions to the above: Hosa cables use grey and orange for left and right analogue channels.
First patent on foil electret microphone by G. M. Sessler et al. (pages 1 to 3) An electret microphone is a type of condenser microphone invented by Gerhard Sessler and Jim West at Bell laboratories in 1962. [24] The externally applied charge used for a conventional condenser microphone is replaced by a permanent charge in an electret material.
Download as PDF; Printable version ... Pages in category "Condenser microphones" The following 7 pages are in this category, out of 7 total. ... This list may not ...
First patent on foil electret microphone by G. M. Sessler and J. E. West (pages 1 to 3) From 1950 to 1959, Sessler studied physics at Universities of Freiburg , Munich, and Göttingen . He received his diploma in 1957 and his Ph.D. from the University of Göttingen in 1959.
The directionality of the 77-DX is variable. A rotating backshutter on the acoustic labyrinth, controlled by a screwdriver-operated slot at the rear of the microphone, allows the user to vary the microphone's pattern from omnidirectional in the fully closed position, to cardioid, to figure-8 (bidirectional) in the fully open position.