Search results
Results From The WOW.Com Content Network
The Touch (Swedish: Beröringen) is a 1971 Swedish romantic drama film directed and written by Ingmar Bergman and starring Max von Sydow, Bibi Andersson, Elliott Gould, and Sheila Reid. The film tells the story of an affair between a married woman and an impetuous foreigner. It contains references to the Virgin Mary and the Holocaust.
The Touch, an album by Alabama "The Touch" (Kim Wilde song), from the 1984 album Teases & Dares "The Touch" (Stan Bush song), from the 1986 album The Transformers The Movie soundtrack; The Touch (radio network), a 24-hour music format "The Touch", a song by Maria Arredondo "The Touch", a song by Ricky Martin from his 2000 album Sound Loaded
The Touch (1971 film) Two English Girls; Y. You Can't Tell Him This page was last edited on 21 September 2020, at 02:57 (UTC). Text is available under the Creative ...
The Touch of Satan is a 1971 American independent horror film directed by Don Henderson and starring Michael Berry and Emby Mellay in their debut roles. The film was shot between 1968 and 1970 in the Santa Ynez, California area and featured early work by movie makeup artist Joe Blasco, cinematographer Jordan Cronenweth, and composer Robert O. Ragland.
Just tap on the movie you're interested in and a card will pop up, providing a synopsis of the movie, link to the trailer, cast list and review scores from IMDb, Metacritic and Rotten Tomatoes.
The Touch of Satan: Bruce Kessler: Michael Berry, Emby Mellay United States [70] Twins of Evil: John Hough: Peter Cushing, Harvey Hall, Luan Peters: United Kingdom [71] The Vampire Happening: Freddie Francis: Pia Degermark, Thomas Hunter, Yvor Murillo West Germany [72] Vampyros Lesbos: Jesús Franco: Ewa Strömberg, Soledad Miranda, Andrés ...
Before the film's release, estimations of Bergman were lowered by The Rite (1969) and The Touch (1971). [81] In Sweden, Svenska Dagbladet critic Åke Janzon and Dagens Nyheter critic Hanserik Hjerten assessed Cries and Whispers as a poetically-rendered psychological study. [82]
In the 1970s the Findlays turned toward horror films. One of their efforts, The Slaughter, produced in 1971, was a poorly received cash-in on the Manson murders, depicting the exploits of a murderous biker gang built around a drug cult. The picture was met with such ridicule from the distributor that it sat unreleased for most of the decade.