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The twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition.The technique is a means of ensuring that all 12 notes of the chromatic scale are sounded equally often in a piece of music while preventing the emphasis of any one note [3] through the use of tone rows, orderings of the 12 pitch classes.
Virtually all published works after 1953 (exceptions include his Mass, and the twelve-tone technique used rarely follows Schoenberg's system) Karlheinz Stockhausen Drei Lieder for alto voice and chamber orchestra, Nr. 1/10 (1950) [ 11 ]
Pages in category "Twelve-tone and serial composers" The following 94 pages are in this category, out of 94 total. This list may not reflect recent changes. A.
Within the community of modern music, exactly what constituted serialism was also a matter of debate. The conventional English usage is that the word "serial" applies to all twelve-tone music, which is a subset of serial music, and it is this usage that is generally intended in reference works.
His compositional style combined Romantic lyricism with the twelve-tone technique. [2] Although he left a relatively small oeuvre, he is remembered as one of the most important composers of the 20th century for his expressive style encompassing "entire worlds of emotion and structure". [3] Berg was born and lived in Vienna.
Later a French composer named Pierre Boulez takes Schoenberg's development and enhances it even further by serializing not only Pitch, but Rhythm, Articulation, and Dynamics as well. [1] Adorno said that the twelve-tone method, when it had evolved into maturity, was a "veritable message in a bottle", addressed to an unknown and uncertain future ...
Film composers have long used his pioneering 12-tone technique to produce dissonance and unpredictable melodies, such as Jerry Goldsmith, in his benchmark score in the 1968 film “Planet of the ...
12-tone equal temperament chromatic scale on C, one full octave ascending, notated only with sharps. Play ascending and descending ⓘ. 12 equal temperament (12-ET) [a] is the musical system that divides the octave into 12 parts, all of which are equally tempered (equally spaced) on a logarithmic scale, with a ratio equal to the 12th root of 2 (≈ 1.05946).