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Beethoven as portrayed by August von Kloeber in 1818. In 1820, when Beethoven wrote "Abendlied", he was 49 years old. 1820 was a year in which the sorrows of his life (deafness, illness, failure to find a marriage partner) [a] were augmented by the climactic phase of his legal confrontation with his sister-in-law Johanna van Beethoven over custody of his nephew (Johanna's son) Karl.
The writing has many fast arpeggios/broken chords, strongly accented notes, and fast alberti bass sequences that fall both into the right and left hands at various times. An effective performance of this movement demands lively, skillful playing and great stamina, and is significantly more demanding technically than the 1st and 2nd movements.
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In the minor mode, a common borrowed chord from the parallel major key is the Picardy third. In the major mode, the most common examples of borrowed chords are those involving the ♭, also known as the lowered sixth scale degree. These chords are shown below, in the key of C major. [8]
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
Melbourne E. Bay was born on February 25, 1913, in the little Ozark Mountain town of Bunker, Missouri. [1] He bought a Sears Roebuck guitar at the age of 13 and several months later played his first "gig". Bay did not have a guitar teacher, so Bay watched the few guitarists he knew and copied their fingering on the fretboard, teaching himself ...
Blow the wind south o'er the bonny blue sea; Blow the wind southerly, southerly, southerly, Blow bonnie breeze, my lover to me. They told me last night there were ships in the offing, And I hurried down to the deep rolling sea; But my eye could not see it wherever might be it, The barque that is bearing my lover to me. CHORUS
Where the Mountains o' Mourne sweep down to the sea. You remember young Peter O'Loughlin, of course, Well, now he is here at the head of the Force. I met him today, I was crossing the Strand, And he stopped the whole street with a wave of his hand. And there we stood talkin' of days that are gone, While the whole population of London looked on.