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You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses ...
You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses ...
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In the Jagannath tradition (Odia Vaishnavism), Jagannath is most frequently identified with an abstract form of Krishna as the supreme deity. [ 6 ] [ 7 ] [ 46 ] Jagannath is considered as equivalent to the Hindu metaphysical concepts of Brahman / Para Brahman and Purushottama /Shunya Purusha, wherein he then is the Avatarī, i.e., the cause and ...
The icon of the Jagannath tradition of Hinduism, likely syncretic as it also incorporates ideas and practices of Buddhism, Jainism, Vaishnavism, Shaivism, Shaktism, tantra and tribal traditions. The icon is drawn in many variants. The common elements are the black colored circle, two big round eyes, red smile and Urdhva Pundra on the forehead.
After independence, the Government of Odisha, with a view to getting better administrative system, passed "The Puri Shri Jagannath Temple (Administration) Act, 1952". [ 91 ] Dibyasingha Deba , the incumbent Gajapati king and King of Puri , is the current adhyasevak (chief servitor) of the temple.
Nabakalebara also spelled as Navakalevara (Odia: ନବ କଳେବର) is the ritualistic recreation of the wooden icons of four Hindu deities (Jagannath, Balabhadra, Subhadra, and Sudarshana) at Jagannath Temple, Puri. The ritual is performed during the 8th, 12th, or 19th year after the previous Nabakalebara.