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The cover became their biggest hit, reaching #20 on the US singles chart, and they followed it with the release of an album that included their interpretations of Bob Dylan's "Like a Rolling Stone", The Doors' "Touch Me", Blood, Sweat & Tears' "I Can't Quit Her" (US #67), and Simon & Garfunkel's "For Emily, Whenever I May Find Her".
"For Emily, Whenever I May Find Her" is a song written by Paul Simon and recorded by American music duo Simon & Garfunkel on their third studio album, Parsley, Sage, Rosemary and Thyme (1966). It is sung solely by Art Garfunkel , and consists mainly of his vocals with heavy reverb and a 12-string acoustic guitar.
Jim Fielder - bass guitar; Al Kooper - Piano, Organ, lead vocals on "I Can't Quit Her" and " I Love You More Than You'll Ever Know" Dick Halligan - organ, piano, electric piano, harpsichord, celeste, trombone, flute, alto flute, baritone horn, vocals; Fred Lipsius - piano, organ, alto saxophone, clarinet, vocals
Writing for AllMusic, critic William Ruhlman wrote of the album: "Al Kooper's finest work, an album on which he moves the folk-blues-rock amalgamation of the Blues Project into even wider pastures, taking in classical and jazz elements (including strings and horns), all without losing the pop essence that makes the hybrid work.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
Hymn-style arrangement of "Adeste Fideles" in standard two-staff format (bass staff and treble staff) for mixed voices Tibetan musical score from the 19th century. Sheet music is a handwritten or printed form of musical notation that uses musical symbols to indicate the pitches, rhythms, or chords of a song or instrumental musical piece.
Accompanying Rush on lead guitar and vocal are Big Walter Horton on harmonica, Red Holloway on tenor sax, Lafayette Leake on piano, Wayne Bennett on second guitar, Dixon on bass, and Al Duncan on drums. [5] "I Can't Quit You Baby" was a vehicle for arranger-producer Dixon to launch Rush and Cobra Records, as it was the first single for both. [3]
D/F ♯ (alternately notated D major/F ♯ bass) notated in regular notation (on top) and tabulature (below) for a six-string guitar. Play ⓘ.. In music, especially modern popular music, a slash chord or slashed chord, also compound chord, is a chord whose bass note or inversion is indicated by the addition of a slash and the letter of the bass note after the root note letter.