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William Sharp (12 September 1855 – 12 December 1905) was a Scottish writer, of poetry and literary biography in particular, who from 1893 wrote also as Fiona Macleod, a pseudonym kept almost secret during his lifetime. [1]
William Sharp (engraver) (1749–1824), English engraver William Sharp (lithographer) (1803–1875), English-born lithographer and painter; lived in Boston, Massachusetts William Sharp (writer) (1855–1905), Scottish author and poet, pseudonym Fiona MacLeod
Elizabeth Amelia Sharp (1856–1932) was a critic, editor and writer, and married to the Scottish writer, William Sharp also known by his pseudonym Fiona MacLeod. William Sharp (1855–1905) was her first cousin, his father David was a younger brother of Thomas, Elizabeth's father.
The House of Montagu (/ ˈ m ɒ n t ə ɡ juː /, MON-tə-ghew), also known throughout history as Montagud, Montaigu, Montague, Montacute (Latin: de Monte Acuto, lit. 'from the sharp mountain'; French: Mont Aigu), is an English noble family founded in Somerset after the Norman Conquest of 1066 by the Norman warrior Drogo de Montagud [1] (so named in the Domesday Book).
He led his family out West from their home in Fort Worth, Texas, in search of a better future. He settled on the land where the Yellowstone ranch sits, which previously belonged to Indigenous people.
William Sharp Macleay or McLeay FLS (21 July 1792 – 26 January 1865) was a British civil servant and entomologist. He was also a prominent promoter of the Quinarian system of classification . After graduating, he worked for the British embassy in Paris , following his interest in natural history and at the same time, publishing essays on ...
The Green Bay Tree: Louis Bromfield: Bible: Psalm 37:35 A Handful of Dust: Evelyn Waugh: T. S. Eliot, The Waste Land: Have His Carcase: Dorothy L. Sayers: Homer, Iliad (trans. William Cowper) The Heart Is Deceitful Above All Things: JT LeRoy: Bible: Jeremiah 17:9: The Heart Is a Lonely Hunter: Carson McCullers: William Sharp, "The Lonely Hunter ...
William Sharp (1855–1905) was a Scottish writer who defended the creation of beauty and wanted to challenge the Victorian era's norms for poetic form and sexuality. [1] He was called a pagan in The Scotsman ' s review of his poetry collection Sospiri di Roma (1891), which was written in Rome and used naked ancient statues as a starting point for praising human sensuality.